Biblio

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Buvoli, Luca. Not-a-Superhero, I presume. Temporanea, 1997.
Butler, Michael L. V.. "Dear Thespians: -." (1974).
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Burnham, Jack. Beyond Modern Sculpture.: The Effects of Science and Technology on the Sculpture of This Century. NY: Praeger, 1972.
Burnham, Jack. "Systems Aesthetics." Artforum 7, no. 1 (1968).
Burnham, Jack. "Problems of Criticism: Art and Technology." Artforum 9 (1971).
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Buckner, Barbara. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Buckminster Fuller, R., Jerome Agel, and Quentin Fiore. Environment and man's future- by the visionary genius of our time: I Seem To Be a Verb. "The most important fact about Spaceship Earth: An instruction book didn't come with it.". New York, NY: Bantam Books, Inc., 1970.
Buckley, Tom. "Electrified Spaghetti on Avant Garde Fete Menu." New York TImes (1972).
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Buchloh, Benjamin. "Allegorical Procedures: Appropriation and Montage in Contemporary Art." Artforum 21 (1987).
Buchla, Don. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Buchla, Buchla 100 Series (Audio synthesizer), 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Buchla, Don, Charles Macdermed, and Don Armfield, photos. Synthesizers, includes "Genesis of the Electronic Music Box"., Edited by unknown. unknown, 1971.
Bubmann, Klaus, and Florian Matzner. eine DATA base: Nam June Paik, Edited by Klaus Bubmann. Germany, 1993.
Brown, George. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Bronson, A. A., and Peggy Gale. Performance by Artists, Edited by A. A. Bronson. Toronto: Art Metropole, 1979.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Brewster, Richard. Experimental Television Center System Notes by Richard Brewster. Owego, NY: Experimental Television Center, 1980.
Brewster, Richard. Computer-Based Video Synthesizer Hardware Documentation for project supported by the National Endowment for the Arts and the New York State Council on the Arts. Binghamton, New York: Experimental Television Center, Ltd., 1977.
Brewster, Richard, and Dave Jones. System II. Binghamton, NY: Experimental Television Center, 1977.
Brewster, Richard. Hocking System: D+7A Input/ Output Extension Box. Binghamton, NY: Experimental Television Center, 1979.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.

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