Biblio

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I
Reeves, Daniel. I am not so sure I know what I am doing anymore with this work...., 1997.
Sondheim, Alan. "I Model; You Take My Picture." CEPA Journal (1988).
Ray, Nicholas. I Was Interrupted: Nicolas Ray on Making Movies., Edited by Susan Ray. Berkeley, CA: University of California Press, 1993.
IBM. Tape Specifications for IBM One-half Inch Tape Drives at: 556 and 800 BPI and 3200 FCI.. New York, NY: Technisphere Corp., 1970.
Icon Numerical Controls Motion Technology Group USM Corporation Sales Brochure. Cambridge, MA: Icon Corporation, undated.
Jones, Philip Mallory. Icono Negro: The Black Aesthetic in Video Art. Long Beach, CA: Long Beach Museum of Art, 1989.
ID/entity: Portraits in the 21st Century. New York, NY: The Kitchen, 2002.
Nichols, Bill. Ideology and the Image: Serial Representations in the Cinema and Other Media. Bloomington: Indiana University Press, 1981.
Hall, Doug, and Sally Jo Fifer. Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
Benjamin, Walter. Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn.. NY: Schocken, 1976.
of Art, The High Museum, and Robin Reidy. Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.
Image on the Run: Dutch Video Art of the 80's. Amsterdam: International Department of the Netherlands Office for Fine Arts, 1985.
Tamblyn, Christine. "Image Processing in Chicago Video Art, 1970-1980." Leonardo 24, no. 3 (1991): 303-310.
Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
Barthes, Roland. Image, Music, Text. Translated by Stephen Heath.. NY: Hill and Wang, 1972.
Image/Process I. NY, NY: The Kitchen, 1982.
Image/Process II. NY, NY: The Kitchen, 1983.
"Images from the Work of Don Hallock." Sundance Magazine 1, no. 3 (1972).
Hallock, Don. Images from the Work of Don Hallock with the Videola., undated.
Hallock, Don. Images of Artists Don Hallock, Bill Gwin, Bill Roarty and Stephen Beck. All worked at the National Center for Experiments in Television at KQED.., undated.
Marks, Laura U.. "Images Of Intermedia." Afterimage (2000).
Sturken, Marita. "Imaging postmemory/renegotiating history." Afterimage (1999).
Frampton, Hollis. Imago Documentation and Hollis Frampton Software for Z80. Owego, NY: Experimental Television Center, 1983.
Ancona, Victor. "Improvisational Video." Videography 2, no. 12 (1977).
Imsai System Computer VIO Interface Board Rev. 1 Service Manual. San Leandro, CA: Imsai Mfg. Corp., 1977.
De Jong, Constance. "In Between the Dark and the Light Television/Society/Art: A Symposium)." Artforum 19, no. 5 (1981).
Sandin, Dan, Jim Wiseman, and Phil Morton. In consecreation of New Space program notes., undated.
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Baudrillard, Jean. In the Shadow of the Silent Majorities . . . or The End of the Social. Translated by Paul Foss, Paul Patton, John Johnston.. Semiotext(e), 1983.
Jenkins, Janet. In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.

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