Biblio

Filters: First Letter Of Title is F  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
bibliographic
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
Goetz, Sammlung, Ingvild Goetz, and Stephan Urbaschek. Fast Forward: Media Art. Ingvild Goetz, 2004.
Goffman, Erving. Frame Analysis. Cambridge: Harvard University Press, 1974.
Haller, Robert. First Light, Edited by Robert Haller. NY, Ny: Anthology Film Archives, 1998.
Harris, Craig. "FAST." The Leonardo Almanac: International Resource in Art, Science and Technology (1993).
Horsfield, Kate. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Edited by Kate Horsfield and Lucas Hilderbrand. PA: Temple University Press, 2006.
John Fluke Mfg. Co., Inc.. Fluke Model 8300A Digital Voltmeter Instruction Manual. Seattle, WA: John Fluke Mfg. Co., Inc., 1970.
Lewis, Louise. "Future Video: Max Almy." LAICA Journal 38 (1983).
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
Miller, Aaron. "FATAL ERROR TYPE 1 HAS OCCURRED:." 15, no. 1 (2004).
Perkins, V. F.. Film as Film: Understanding and Judging Movies. Harmondsworth, Middlesex, England: Penguin Books Limited, 1972.
Popper, Frank. From Technological to Virtual Art. MIT Press, 2007.
"Feedback:Feedforward." (1971).
Pudovkin, V. I.. Film Technique. London, England: George Newnes, Limited, 1929.
Rhodes, Charles W.. FCC guidelines as of the First Order and Report of March 17, 1971, Docket 1842. Beavertown, OR: Tektronix., 1972.
Rice, Shelley. "Francesc Torres: The Tyranny of the Past." Afterimage 10, no. 15 (1982).
Rosebush, Judson. Frank Gillette: Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum, 1973.
Front Panel Diagram for Rutt/Etra Video Synthesizer. unknown, undated.
Sharp, Willoughby. "From Teenage Monk to Video Bareback Rider: Paul Ryan." Video 80 2, no. 1 (1981).
Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Sitney, Adams P.. Film Culture Reader. NY: Praeger, 1970.
Sorensen, Vibeke. Future Tense: Arts Education Technology. http://visualmusic.org/vibeke, 1991.
Nuding, Jeffrey C.. Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
Varela, Willie, and James Irwin. Foreign Correspondence: The International Super 8 Phenomenon., Edited by Elyse Topalian. Somerville, MA: The International Center for 8mm Film and Video, Inc., 1986.
From to , Takahiko Iimura. Rome, Italy: The Japan Foundation, 1997.

Pages