Biblio

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Catalog
Film Program. NY: American Federation of Arts, 1984.
Film and Video: Takahiko Iimura. New York, NY: Anthology Film Archives, 1990.
Nuding, Jeffrey C.. Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
Worden, John. Featuring Five Faculty: Peer Bode, MM Lum, Mario Prisco, Joseph Scheer, Jessie Shefrin. Alfred, NY: Fosdick-Nelson Gallery, Alfred University, 1993.
Feature Presentation: Black Box Video Shorts (+). Ewing, NJ: The College of New Jersey, 2000.
Book
Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Front Panel Diagram for Rutt/Etra Video Synthesizer. unknown, undated.
Simmons, Richard. From the Academy to the Avant Garde. Rochester, NY: Visual Studies Workshop, 1981.
Popper, Frank. From Technological to Virtual Art. MIT Press, 2007.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002.
Goffman, Erving. Frame Analysis. Cambridge: Harvard University Press, 1974.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
Althusser, Louis. For Marx. Translated by Ben Brewster.. Vintage Books, 1970.
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
John Fluke Mfg. Co., Inc.. Fluke Model 8300A Digital Voltmeter Instruction Manual. Seattle, WA: John Fluke Mfg. Co., Inc., 1970.
Haller, Robert. First Light, Edited by Robert Haller. NY, Ny: Anthology Film Archives, 1998.
Williams, Reese. Fire Over Water, Edited by Reese Williams. NY, NY: Tanam Press, 1986.
DeFanti, Thomas A., and Daniel J. Sandin. Final Report to the National Endowment of the Arts - Analog Computers., undated.
Coynik, David. Film: Real to Reel. Evanston, IL: McDougal, Littell & Company, 1972.
Fell, John L.. Film: An Introduction. New York, NY: Praeger Publishers, 1975.
Thomas, Sari. Film/Culture: Explorations of Cinema in its Social Context, Edited by Sari Thomas. Metuchen, NJ: The Scarecrow Press, 1982.
Pudovkin, V. I.. Film Technique. London, England: George Newnes, Limited, 1929.
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
Dworkin, Stephen. Film Is. Woodstock, NY: Overlook Press, 1975.
Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice, Edited by Alfred A. Knopf. New York, NY: Newbery Award Records, Inc., 1985.
Eisenstein, Sergei. Film Form and The Film Sense: Essays in Film Theory, Edited by Jay Leyda. New York, NY: Meridian Books, 1957.

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