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Film and Video: Takahiko Iimura. New York, NY: Anthology Film Archives, 1990.
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
Jacobs, Ken, and Tom Gunning. Films That Tell Time: A Ken Jacobs Retrospective. Astoria, NY: American Museum of the Moving Image, 1989.
Daedalus. "Futures." Daedalus. Summer (1987).
Sturken, Marita. "Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice, Edited by Alfred A. Knopf. New York, NY: Newbery Award Records, Inc., 1985.
Buchloh, Benjamin H. D.. "From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Film Program. NY: American Federation of Arts, 1984.
Carlos, Michael, and Tom Stewart. Fairlight CMI Page R- Real Time Composer Operator Manual. Los Angeles, CA: Fairlight Instruments, Inc., 1983.
"Festival Issue." Sightlines 16, no. 4 (1983).
Lewis, Louise. "Future Video: Max Almy." LAICA Journal 38 (1983).
Nuding, Jeffrey C.. Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
Thomas, Sari. Film/Culture: Explorations of Cinema in its Social Context, Edited by Sari Thomas. Metuchen, NJ: The Scarecrow Press, 1982.
Rice, Shelley. "Francesc Torres: The Tyranny of the Past." Afterimage 10, no. 15 (1982).
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Reading, MA: Addison- Wesley Publishing Company, 1979.
Ancona, Victor. "Fitzgerald/Sanborn: Towards a New VIsual Language." Videography 4, no. 11 (1979).
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Fairchild Semiconductor F8 Microprocessor. Mountain View, CA: Fairchild Semiconductor, 1975.
Dworkin, Stephen. Film Is. Woodstock, NY: Overlook Press, 1975.
Fell, John L.. Film: An Introduction. New York, NY: Praeger Publishers, 1975.