Biblio

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bibliographic
Hall, Doug, and Sally Jo Fifer. Illuminating Video: An Essential Guide to Video Art, Edited by Doug Hall. New York, NY: Aperature in association with the Bay Area Video Coalition, 1990.
Hallock, Don. Images of Artists Don Hallock, Bill Gwin, Bill Roarty and Stephen Beck. All worked at the National Center for Experiments in Television at KQED.., undated.
Hallock, Don. Images from the Work of Don Hallock with the Videola., undated.
Infermental 7 1988: A Travelling Exhibition of World Video. Buffalo, NY: Hallwalls and Ars Electronica, 1988.
Hill, Chris. "Interview with Peer Bode." The Squealer 11, no. 2 (1996).
Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
IBM. Tape Specifications for IBM One-half Inch Tape Drives at: 556 and 800 BPI and 3200 FCI.. New York, NY: Technisphere Corp., 1970.
Icon Numerical Controls Motion Technology Group USM Corporation Sales Brochure. Cambridge, MA: Icon Corporation, undated.
International Directory of Electronic Arts. Paris, France: IDEA, 1994.
of Art, The High Museum, and Robin Reidy. Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.
Frampton, Hollis. Imago Documentation and Hollis Frampton Software for Z80. Owego, NY: Experimental Television Center, 1983.
Imsai System Computer VIO Interface Board Rev. 1 Service Manual. San Leandro, CA: Imsai Mfg. Corp., 1977.
Intel Corp. MCS-4 Micro Computer Set User's Manual. Santa Clara, CA: Intel Corp., 1972.
Intel Corp. Intellec 8 Reference Schematic Drawings (Oversize). Santa Clara, CA: Intel Corp., 1973.
Image on the Run: Dutch Video Art of the 80's. Amsterdam: International Department of the Netherlands Office for Fine Arts, 1985.
International Video Art Symposium. Kingston, Ontario: Agnes Etherington Art Center, Queens University, 1979.
IVP Wireless Remote Controls; Random Access Remote Controls; Audio-Visual Communications Systems Sales Brochures. Teaneck, NJ: International Visual Products (IVP), 1976.
IVC Service Manual for IVC-800 Color Video Recorder. Mountain View, CA: International Video Corporation, 1968.
IVC Owner's Reference Manual for IVC-800 Color Video Recorder.. Mountain View, CA: International Video Corporation, 1969.
IVC Service Manual for IVC-90 Series Color Television Camera.. Mountain View, CA: International Video Corporation, 1974.
IVC "Straight Talk About Selecting A VTR Format" Sales Literature. Mountain View, CA: International Video Corporation, 1971.
IVC-90 Series Color Television Camera Service Manual. Sunnyvale, CA: IVC (International Video Corporation), 1970.
Jackson, Maria-Rosario. Investing in Creativity: A Study of the Support Structure for U.S. Artists. Urban Institute, 2003.
James, Day. Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Television Establishment, The Independent Producer, and the Search for Diversity.. New York, New York: Rockefeller Foundation Arts Program, 1979.
Jenkins, Janet. In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.
Johnson, Steven. Interface Culture How New Technology Transforms the Way We Create and Communicate. Basic Books, 1999.
Jones, Philip Mallory. Icono Negro: The Black Aesthetic in Video Art. Long Beach, CA: Long Beach Museum of Art, 1989.
Ignatieff, Michael. "Is Nothing Sacred? The Ethics of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 57-78.
Eco, Umberto. "Innovation and Repetition: Between Modern and Post-Modern Aesthetics." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 161-184.
London, Barbara. "Independent Video: The First Fifteen Years." Artforum IX, no. 11 (1980).

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