Biblio

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B
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Baudrillard, Jean. The Mirror of Produrtion. Translated by Mark Poster. St. Louis: , 1975.. St. Louis: Telos Press, 1975.
The National Video Preservation Center - A Brief Overview., undated.
Beck, Stephen. "The Phosphotron." SEND 9 (1984).
Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
Berger, John. The Look of Things. NY: Viking Press, 1972.
Bertram, Neal H., and David Mills R. Michael Stafford. "The Print/Through Phenomenon." Journal of the Audio Engineering Society 28, no. 10 (1979).
Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.
Bode, Peer. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Brand, Stewart. The Media Lab: Inventing the Future at MIT. NY: Viking, 1987.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Buckner, Barbara. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
C
Cage, John. Towards (a definition of) Experimental Music.., undated.
Cameron, Eric. "The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
Carroll, Noel. "The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.

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