"various articles." AMIA Newsletter, no. -1988 (undated).

Various Product brochures including "101 Ways To Get More Out Of Your Video Equipment" (2), Adwar Post Production Keyer, Burst Adder, Portable Sync Generator, Chroma Keyer (modified Sony DXC-1600 CCU), Portable Color "Hip Switcher", Low Light Level Ampli. New York, New York: Adwar Video Corporation, undated.

Association of Moving Image Archivists 2007., 2007.

Arnheim, Rudolf(Collaborator), Lev Manovich(Collaborator) Barbara Stafford(Collaborator) Peter Weibel(Collaborator) Christiane Paul(Collaborator) Erkki Huh. MediaArtHistories. MIT Press, 2007.

Abrams, Janet, and Peter Hall. ELSE/WHERE: MAPPING ? New Cartographies of Networks and Territories. MN: University of Minnesota Design Institute, 2006.

Strick, Jeremy, and et al. Visual Music: Synaesthesia in Art and Music Since 1900. Smithsonian Institution and Museum of Contemporary Art (Los Angeles)., 2005.

Aldighieri, Merrill. Confessions of a Pixil-Picker., 2004.

Auder, Michel. Michel Auder: Chronicles and Other Scenes. Williamstown, MA: Williams College Museum of Art, 2004.

Arthur, Paul. "Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty." Film Comment (2004).

Ascott, Roy. Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.

A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.

Anker, Suzanne. "Gene Culture: Molecular Metaphor in Visual Art." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

Bode, Peer, and Dave Jones Jessie Shefrin. and Andrew Deutsch. Interview with Steina Vasulka by Peer Bode, Andrew Deutsch, Dave Jones and Jessie Shefrin. April 1, 1998., 1998.

Art in General: Manual 1994-1995.. New York, NY: Art in General, Inc., 1995.

The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.

Anthology Film Archives: Paul Sharits- A Retrospective.. New York, NY: Anthology Film Archives, 1993.

Paik, Nam June, and Shuya Abe. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Nam June Paik & Shuya Abe, Paik/Abe Video Synthesizer (Keyer & Colorizer) & Scan Modulator (a.k.a. "the Wobbulator"), 1970., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

Alta Pyxis Dual TBC/Synchronizer-Effects Operations Manual Edition 1.2. San Jose, CA: Alta Group, Inc. Dynatech Broadcast Group, 1991.

Out of Control: Ars Electronica 91. Linz, Austria: Festival fur Kunst. Technologie und Gesellschaft, 1991.

Ars Electronica 1990: Digital Dreams - Virtual Worlds. Linz, Austria: Festival fur Kunst. Technologie und Gesellschaft, 1990.

Film and Video: Takahiko Iimura. New York, NY: Anthology Film Archives, 1990.

A Guide to Media and Formats. Redwood City, CA: Ampex, Magnetic Tape Division., 1989.

American Documentary Video: Subject to Change. New York, NY: The American Federation of Arts, 1989.

Jacobs, Ken, and Tom Gunning. Films That Tell Time: A Ken Jacobs Retrospective. Astoria, NY: American Museum of the Moving Image, 1989.

Guide to the Care and Handling of Magnetic Tape. Redwood City, CA: Ampex, Magnetic Tape Division., 1989.

Masterpieces of Moving Image Technology. Astoria, NY: American Museum of the Moving Image, 1989.

of Art, The High Museum, and Robin Reidy. Image Film/Video Center and The High Museum of Art present The Twelfth (12th) Atlanta Film & Video Festival at the Woodruff Arts Center, Edited by Michele Fleming, Charlie Reidy and Robin Reidy. Atlanta, GA: Image: Film & Video Center, 1988.

Armes, Roy. On Video. NY: Routledge, 1988.

"various." Film History: An International Journal. 1, no. 1 (1987).

1986 National Video Festival. The American Film Institute, 1986.