Biblio

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Book
Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.
Barnouw, Erik. The Golden Web: History of Broadcasting in the United States. NY: Oxford Press, 1968.
Gustafson, Julie. The Global Village Handbook for Independent Producers and Public Television, Edited by Julie Gustafson. NY: Global Village Video Resource Center, 1981.
MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.
Noriega, Chon A.. The Future of Latino Independent Media: A NALIP Sourcbook, Edited by Chon A. Noriega. Los Angeles, CA: UCLA Chicano Studies Research Center, 2000.
Dalrymple Henderson, Linda. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques Alain Miller. Translated by Alan Sheridan.. NY: W. W. Norton, 1978.
Manoogian, Haig P.. The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
The Film., undated.
Gardner, John. The Famous TV Trouble Shooter: Fix Your Set Yourself. This Book Shows you How to Do It. Up-to-Date Revised Edition.. New York, NY: Authentic Publications, Inc., undated.
The Extraordinary Javelin Master X-400 Video Tape Recorder ; Model SC 950 Camera; CC 700 Camera; CC 500 Camera; Video Monitors Sales Literature. Los Angeles, CA: Javelin Electronics Co., 1970.
Sitney, Adams P.. The Essential Cinema. Anthology Film Archives, series 2, vol. 1.. NY: New York University Press, 1975.
Walley, David G.. The Ernie Kovacs Phile. New York, NY: Simon & Schuster, Inc., 1975.
EMS, Jennifer Morris. The EMS Spectre Video Synthesizer Handbook.. London, England: EMS, 1974.
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Jacobs, Lewis. The Emergence of Film Art. New York, NY: Hopkinson and Blake, 1969.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Shayon, Robert Lewis. The Eighth Art, Edited by Robert Lewis Shayon. NY: Holt, Rinehart and Winston, 1971.
De Jong, Constance. The Early Show: Video from 1969-1979, Edited by Constance(Curator) De Jong. NY, NY: Hunter College, 2006.
Chanan, Michael. The Dream that Kicks. London: Routledge, 1980.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Lunenfeld, Peter. The Digital Dialectic: New Essays on New Media. Cambridge: MIT Press, 1999.
Quasha, George. The Dialogical Mode., 1982.
Rosenberg, Harold. The De-definition of Art. New York. NY: Horizon Press, 1972.
Toffler, Alvin. The Culture Consumers: A Study of Art and Affluence in America. NY: St. Martin's Press, 1964.
Sorensen, Vibeke. The Contribution of the Artist to Scientific Visualization., 1989.
Loveless, Richard. The Computer Revolution and the Arts, Edited by Richard Loveless. Gainesville, FL: University Presses of Florida, undated.
de Lauretis, Teresa, and Stephen Heath. The Cinematic Apparatus, Edited by Teresa de Lauretis. NY: St. Martin's Press, 1980.
Stephenson, Ralph, and J. R. Debrix. The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.

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