Biblio
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The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
"The Language of Video., undated.
The Kitchen." Videoscope 1, no. 2 (1977).
"The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Incredible Animation Machine." Videography 2, no. 11 (1977).
"The Gate Theater." Artscanada (1967).
"The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
"The Film., undated.
The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
"The Evolution of Thinking Machines." The Squealer (2004).
"The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
The Electronic Gallery, Edited by Maureen Turim. Binghamton , NY: Binghamton University, 1980.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.
The Dialogical Mode., 1982.
The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Beat Among Us: Jud Yalkut." Impact Weekly 8, no. 15 (2000).
"The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
"The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989.
The Art Style Computer Processing System. Toronto, Ontario, 1974.
The Archetron Of Thomas Tadlock." The East Village Other 4, no. 31 (1969).
"Television/Society/Art symposium, The Kitchen." Afterimage (1981).
"Television Fictions: An Interview with Ed Bowes." Afterimage 13, no. 10 (1986).
"TechArcheology: A Symposium on Installation Art Preservation." MAIN, no. Winter 2000 (2000).
"The Tapes are Disappearing." The Squealer 13, no. Spring/Summer 2002 (2002).
"Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
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