Biblio

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I
Keller, Dwain A.. Instruction Manual for Dynair Model VS-121B Video Switcher-Fader (2 copies); Hum Reduction in Video Systems. San Diego, CA: Dynair Electronics, 1966.
Instruction Manual Ball Brothers MC 19 Series Color Monitor. New Brighton, Minnesota: Ball Brothers Research Corporation, 1968.
Instruction and Service Manual for Electrohome VP-7 (600-901) Video Interface Panel for Television Receiver/Monitor Applications; Color Television Owner's Manual. Kitchener, Ontario, CAN: Electrohome Limited, 1980.
Installation, Operating, and Service Instructions for Col-R-Tel Converter Model 100-1, 100-2. Columbia City, Indiana, 1955.
Installation Operation Maintenance Manual. Audiocom. Telex Communications, Inc. Models: RM-10, RM-11, RM-12, RM-13, HE-15, ME-50, etc.. Minneapolis, Minnesota: Telex Communications, Inc., 1988.
Gitlin, Todd. Inside Prime Time. NY: Pantheon, 1983.
Eco, Umberto. "Innovation and Repetition: Between Modern and Post-Modern Aesthetics." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 161-184.
Information, Works and Activities: Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1976.
Downey, Juan. "Information Withheld." SEND 2, no. 4 (1982).
Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. MIT, 2003.
Wilson, Stephen. Information Arts : Intersections of Art, Science, and Technology. MIT Press, 2003.
Schiller, Herbert I.. Information and the Crisis Economy.. Norwood, NJ: Ablex, 1984.
Ross, David. Information about the Circuit exhibition, organized by Ross for the Everson Museum. March 1, 1974., 1974.
Infermental 7 1988: A Travelling Exhibition of World Video. Buffalo, NY: Hallwalls and Ars Electronica, 1988.
Thomson, Patricia. "Independents on Television." Afterimage 11, no. 40545 (1983).
London, Barbara. "Independent Video: The First Fifteen Years." Artforum IX, no. 11 (1980).
Amato, Mia. "Independent Video in San Francisco." Videography 5, no. 2 (1980).
London, Barbara. "Independent Video and the Museum of Modern Art." Videography 9, no. 8 (1984).
Independent Television-makers and Public Communications Policy. New York, NY: The Rockefeller Foundation, 1979.
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Case for a Center for Independent Television.. New York, New York: Rockefeller Foundation Arts Program, 1979.
James, Day. Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. The Television Establishment, The Independent Producer, and the Search for Diversity.. New York, New York: Rockefeller Foundation Arts Program, 1979.
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Fu. New York, New York: Rockefeller Foundation Arts Program, 1979.
Jacobs, Alan. Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy.. NY, NY: Rockefeller Foundation, 1979.
Erickson, Leann. "Independent film and video in Boston." Afterimage (1997).
Jenkins, Janet. In the Spirit of Fluxus. Minneapolis, MN: Walker Art Center, 1993.
Baudrillard, Jean. In the Shadow of the Silent Majorities . . . or The End of the Social. Translated by Paul Foss, Paul Patton, John Johnston.. Semiotext(e), 1983.
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Sandin, Dan, Jim Wiseman, and Phil Morton. In consecreation of New Space program notes., undated.
De Jong, Constance. "In Between the Dark and the Light Television/Society/Art: A Symposium)." Artforum 19, no. 5 (1981).
Imsai System Computer VIO Interface Board Rev. 1 Service Manual. San Leandro, CA: Imsai Mfg. Corp., 1977.

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