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Caughie, John. Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Howe, Hubert. The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
de Certeau, Michael. The Practice of Everyday Life. Translated by Steven F. Randall. Berkeley: University of California Press, 1984.
Cesan, Donna. The Electronic Gallery - Art, Ideas and Video. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
Chanan, Michael. The Dream that Kicks. London: Routledge, 1980.
Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).
The Personal Computer/Hobbyist keyboard from Cherry; Schematics for Cherry B70-05AB Keyboard. Waukegan, Illinois: Cherry Electrical Products Corp., undated.
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.
Cole, Barry. Television Today: A Close-up View, Readings from TV Guide, Edited by Barry Cole. Oxford University Press, 1981.
Coleman, Charles H.. Techniques for Multiple Generation Color Videotapes- Today and Tomorrow. Elk Grove Village, Illinois: Ampex Corporation Research and Engineering Corporation, 1966.
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
The Incredible Electric Animation Machines Production Newsletter poster. Computer Image Productions, 1970.
The Incredible Electric Animation Machine News, 3-D Cardboard Model of Scanimate Computer System. Denver, CO: Computer Image Corp., 1973.
Connor, Russell. "The Video Window of Davidson Gigliotti." Arts Magazine 49, no. 4 (1974).
Conrad, Peter. Television: The Medium and Its Manners. London: Routledge, 1982.
Conrad, Tony. "The Upstate Issue Primer: Buffalo, the Media Alliance and the Emergence of a Surprising New Decentralized Media Discourse." The Squealer (1988).
The Contemporary Art Television Fund: The first five years. Boston, MA: CAT/WGBH, 1988.
The Low Power Television Guidebook: A Primer on the Low Power Service. Washington, DC: CPB, 1980.
Tu-Art Digital Interface Instruction Manual. Cromemco Incorporated. Mountain View, CA: Cromemco Incorporated, 1978.
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
D'Agostino, Peter, and Antonio Muntadas. The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
D'Agostino, Peter. TeleGuide. and Proposal for QUBE. Long Beach, CA: Long Beach Museum of Art, undated.
D'Agostino, Peter. Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Daedalus. "The Moving Image." Daedalus Fall (1985).
Dalrymple Henderson, Linda. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983.
Davidson, Steven, and Gregory Lukow. The Administration of Television Newsfilm and Videotape Collections: A Curatorial Manual, Edited by Steven Davidson. Louis Wolfson II Media History Center and the American Film Institute National Center for Film and Video Preservation, undated.
Davis, Douglas. "Television's Avant-Garde." Newsweek (1970).
Davis, Douglas, and Allison Simmons. The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.