Biblio
The Analog Image Processing Component of the Circle Graphics Habitat. self-published, undated.
The Analog Image Processing Component of the Circle Graphics Habitat. Chicago, IL: University of Illinois at Chicago Circle, undated.
The Analysis of Communications Content, Edited by George Gerbner. NY: John Wiley, 1969.
The Anti-Aesthetic. Washington, 1983.
The Archaeology of Knowledge. New York:: Harper and Row, 1972.
The Arp Electronic Music Synthesizer. Newto Highlands, MA: Tonus, Inc., undated.
The Art of David Em: 100 Computer Paintings. NY: Harry N Abrams, 1988.
The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
The Art of Time. NY: E. P. Dutton, 1969.
The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.
The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.
The Best Thing on Television: Commercials. Baltimore: Penguin, 1978.
The Bias of Communication. Toronto: University of Toronto Press, 1951.
The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.
The Biotica Project : An Artificial Life Installation, Edited by Giles Lane and RIchard Brown., undated.
The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.
The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
The Camera Age. NY: Farrar, Straus and Giroux, 1981.
The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Cat-100 Computer Assisted Television System for the S-100 Bus. Palo Alto, CA: Digital Graphics Systems, 1979.
The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
The Cinematic Apparatus, Edited by Teresa de Lauretis. NY: St. Martin's Press, 1980.
The Computer Revolution and the Arts, Edited by Richard Loveless. Gainesville, FL: University Presses of Florida, undated.
The Culture Consumers: A Study of Art and Affluence in America. NY: St. Martin's Press, 1964.
The De-definition of Art. New York. NY: Horizon Press, 1972.
The Dialogical Mode., 1982.
The Digital Dialectic: New Essays on New Media. Cambridge: MIT Press, 1999.