Biblio

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bibliographic
Leyda, Jay. Kino: A History of the Russian and Soviet Film. Princeton, NJ: Prlnceton University Press, 1983.
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
Licata, Elizabeth, and John Knecht. John Knecht: Animating Destiny. Castellani Art Museum of Niagara University, 1997.
Lichty, Patrick. "The Cybernetics of Performance and New Media Arts." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Lieberman, Laura C.. Once Is Not Enough. Rochester, NY: Visual Studies Workshop, 1990.
Hoone, Jeffrey, and Gary Nickard. Light Work. Contact Sheet 97, 25th Anniversary Edition.. Syracuse, NY: Light Work, 1998.
"The Video Issue." Lightworks 1, no. 5 (1976).
Linemaster: America's Foot Switch Leader Catalog 78. Woodstock, CT: Linemaster Switch Corporation, 1978.
Linhart, Henry Coshey. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Linton, J.. Learning About Synthesizers. Amherst, MA: Electronic Music Studios of America, Inc., 1975.
Lippard, Lucy. "The Pains and Pleasures of Rebirth: Women's Body Art." Art in America 64, no. Three (1976).
Lippard, Lucy. "The Pains and Pleasures of Rebirth: Women's Body Art." Art in America 64, no. Three (1976).
Lister, Ardele. "Contact Zones' Video." Photography Quarterly 16, no. 4 (1995).
Livingston, Jane, and Marcia Tucher. Bruce Nauman. Work From 1965-1972.. Los Angeles: Los Angeles County Museum of Art, 1972.
Loeffler, Carl. "Performance Art." ART COM 4, no. 16 (1982).
Loeffler, Carl. "Performance Art." ART COM 4, no. 16 (1982).
Loeffler, Carl, and Darlene Tong. Performance Anthology: Source Book for a Decade of California Performance Art, Edited by Carl Loeffler. San Francisco: Contemporary Arts Press, 1980.
Loeffler, Carl, and Darlene Tong. Performance Anthology: Source Book for a Decade of California Performance Art, Edited by Carl Loeffler. San Francisco: Contemporary Arts Press, 1980.
Loeffler, Carl. "TV: Popular Art Form." ArtCom 6 (1), no. 21 (1983).
Loeffler, Carl. "Toward a Television Art Criticism." ArtCom 6 (2), no. 22 (1983).
London, Barbara. "Independent Video: The First Fifteen Years." Artforum IX, no. 11 (1980).
London, Barbara, and Lorraine Zippay. "A Chronology of Video Activity in the United States: 1965-1980." Artforum IX, no. 11 (1980).
London, Barbara. "Independent Video and the Museum of Modern Art." Videography 9, no. 8 (1984).
London, Barbara. New Video:Japan. NY: American Federation for the.Arts and the Museum of Modern Art, 1986.
de Witt, Helen, and Malcolm LeGrice. Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.
de Witt, Helen, and Malcolm LeGrice. Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.
Southland Video Anthology 1976-77. Long Beach, CA: Long Beach Museum of Art, 1977.
Southland Video Anthology 1975. Long Beach, CA: Long Beach Museum of Art, 1975.
Lorber, Richard. "Epistemological TV." Art Journal 34, no. 2 (1975).
Lord, Catherine. "It's The Thought That Counts: Video As Attitude." Afterimage 11, no. 3 (1983).

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