Biblio

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bibliographic
Schier, Jeffery, and Don McArthur. Report on S-100 Bus. Owego, NY: Experimental Television Center, undated.
Schier, Jeffrey, and Diana Dosch. The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
Schier, Jeffrey. Sandin Image Processor - Excerpts of Description of Analog IP modules from Pioneers of Electronic Art., 1992.
Schiller, Herbert I.. Communication and Cultural Domination. White Plains, NY: International Arts and Sciences Press, 1976.
Schiller, Herbert I.. Information and the Crisis Economy.. Norwood, NJ: Ablex, 1984.
Schiller, Herbert I.. Mass Communications and the American Empire. Boston: Beacon, 1970.
Schiller, Herbert I.. The Mind Managers. Boston: Beacon, 1970.
Schilling, Alphons. Binocularis. NY: Galerie Ariadne, undated.
Schimmel, Paul. Out of Actions: Between Performance and the Object 1949-1979. Los Angeles, 1998.
Schimmel, Paul, and Nam June Paik. "Abstract Time." Arts Magazine 49, no. 4 (1974).
Schjeldahl, Peter. "Well, It?s a Heck of a Long Way from Marcus Welby." The New York Times (1971).
Schlanger, Matthew, and David Jones. Schematics and notes in regard to First Jones Frame Buffer from Matthew Schlanger to Peer Bode (11 pages).. Owego, NY: Experimental Television Center, undated.
Schmidt, Klaus F.. "New Developments in Printing: Standardization in Four-Color Proofing." Print: Designing for TV: A Special Issue XXVI, no. I (1972): 72-74.
Schneider, Ira, and Mary Lucier Beryl Korot. Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.
Schneider, Ira, and Mary Lucier Beryl Korot. Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.
Schneider, Cynthia, and Brian Wallis. Global Television, Edited by Cynthia Schneider. Cambridge: MIT Press, 1989.
Schneider, Cynthia, and Brian Wallis. Global Television, Edited by Cynthia Schneider. Cambridge: MIT Press, 1989.
Scholder, Amy. Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Scholder, Amy. Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Schou, Henning. Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.
Schramm, Wilbur. Mass Communications, Edited by Wilbur Schramm. Urbana, IL: University of Illinois Press, 1949.
Schramm, Wilbur. Mass Communications, Edited by Wilbur Schramm. Urbana, IL: University of Illinois Press, 1949.
Schramm, Wilbur, and Donald F. Roberts. The Process and Effects of Mass Communications. Urbana, IL: University of Illinois Press, 1971.
Scientific American. Microelectronics. September 1977. Volume 237, Number 3.. New York, NY: Scientific American Inc., 1977.
Readings from Scientific American: Image, Object, and Illusion. San Francisco, CA: W. H. Freeman and Company, 1971.
Howard W. Sams & Co., Inc. Photofact Folder, Set 918, Folder 2. Sears Chassis 562.10330.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1967.
Sears, Roebuck and Co. Division 57 Television Standard Nomenclature, Chassis Nos. 528.62454, 528.62484, 529.62454, 529.62484.. Sears, Roebuck and Co., undated.
Seid, Steve, and Maria Troy. Videospace: The National Center for Experiments in Television, 1967-1975. California: University of California Berkeley Art Museum and Pacific Film Archive, 2000.
Semonche, Barbara. News Media Libraries: A Management Handbook, Edited by Barbara Semonche. Westport, CT: Greenwood Press, 1993.
Semonche, Barbara. News Media Libraries: A Management Handbook, Edited by Barbara Semonche. Westport, CT: Greenwood Press, 1993.

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