Abramovic, Marina, and and Ulay. Relation Work and Detour. Amsterdam: Abramovic/ Ulay, 1980.

Resale Price Schedule for Vidicon and Newvicon Camera Tubes. Slatersville, Rhode Island: Amperex, 1983.

Buchla, Don, Charles Macdermed, and Don Armfield, photos. Synthesizers, includes "Genesis of the Electronic Music Box"., Edited by unknown. unknown, 1971.

Tekscope: Volume 11, Number 1. Tektronix., Edited by Gordon Allison.. Beavertown, OR: Tektronix., 1979.

Tekscope: Volume 13, Number 1. Tektronix., Edited by Gordon Allison.. Beavertown, OR: Tektronix., 1981.

Ascott, Roy. Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.

The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.

Ahl, David. The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.

Ahl, David. The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.

Arlen, Michael. The Camera Age. NY: Farrar, Straus and Giroux, 1981.

Arendt, Hannah. The Human Condition. NY: Doubleday/Anchor Press, 1959.

Sanz, Luciana. The Language of Video., undated.

Arlen, Michael. The Living Room War. NY: Viking Press,, 1969.

de Lauretis, Teresa, and Kathleen Woodward and Andreas Huyssen. The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.

The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.

Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.

Adler, Richard. Understanding Television: Television as a Social and Cultural Force, Edited by Richard Adler. New York: Praeger, 1981.

Adler, Richard. Understanding Television: Television as a Social and Cultural Force, Edited by Richard Adler. New York: Praeger, 1981.

Various Product brochures including "101 Ways To Get More Out Of Your Video Equipment" (2), Adwar Post Production Keyer, Burst Adder, Portable Sync Generator, Chroma Keyer (modified Sony DXC-1600 CCU), Portable Color "Hip Switcher", Low Light Level Ampli. New York, New York: Adwar Video Corporation, undated.

Strick, Jeremy, and et al. Visual Music: Synaesthesia in Art and Music Since 1900. Smithsonian Institution and Museum of Contemporary Art (Los Angeles)., 2005.

Arnheim, Rudolf. Visual Thinking. Berkeley, CA: University of California Press, 1969.

1985 National Video Festival. American Film Institute, 1985.

1986 National Video Festival. The American Film Institute, 1986.

Acconci, Vito. A Retrospective1969 to 1980. Chicago: Museum of Contemporary Art,, 1980.

American Documentary Video: Subject to Change. New York, NY: The American Federation of Arts, 1989.

Anthology Film Archives: Paul Sharits- A Retrospective.. New York, NY: Anthology Film Archives, 1993.

Ars Electronica 1990: Digital Dreams - Virtual Worlds. Linz, Austria: Festival fur Kunst. Technologie und Gesellschaft, 1990.

Art in General: Manual 1994-1995.. New York, NY: Art in General, Inc., 1995.

Art V: A One-Day Symposium on Video in Buffalo. Buffalo, NY: Albright Knox Art Gallery, 1977.

ART. V. A One-Day Symposium on Video in Buffalo. Buffalo, NY: Albright-Know Art Gallery, 1977.