Biblio
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Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Taka Iimura Interview." Intercut 9 (1984).
"Suggestions Toward a Small Video Facility." National Center for Experimental in Television Reports 2 (undated).
"Subject to Change: Guerrilla Television Revisited." Art Journal: Video - The Reflexive Medium, no. Fall 1985 (1985).
" Stern Media Information., 1975.
States of Emergency: Documentaries, Wars, Democracies. University of Minnesota Press, 2000.
Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.
Signals in Syracuse - Video History: Making Connections conference." Afterimage (1999).
"Shalom Gorewitz: Metaphoric Image Manipulator." Videography 5, no. 11 (1980).
"Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: On Television. New York, NY: The New York State Council on the Arts, 1994.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents The Moving Image in Space: Public Funding and the Installation Form. New York, NY: The New York State Council on the Arts, 1994.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.
Seeing Things: The Work of Ralph Hocking." Print XXVI, no. II (1972).
"Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. 2 (2002).
"Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. Fall/Winter 2002 (2002).
"Rockefeller Foundation Proposal - Nam June Paik - Archive of Senior American Composers. 1972., 1972.
Rhizome ArtBase Management Policy. NY, NY: Rhizome, 2002.
Revolutionary Pleasures: Wrecking the Text in Compilation Documentary." Afterimage (1989).
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