Biblio

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The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Sugaya, Hiroshi. "The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
Sturken, Marita. "TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
Sturken, Marita. "TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
Sturken, Marita. "The Gentrification of Video." Afterimage 13, no. 4 (1988).
Sturken, Marita. "Television Fictions: An Interview with Ed Bowes." Afterimage 13, no. 10 (1986).
Sturken, Marita. "The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
Sturken, Marita. Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Sturken, Marita. "Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).
Streckler, Larry. "Tape Home Movies for Your TV Screen." Popular Mechanics, no. November (1965).
Stout, David, and Bob Campbell. "Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).
Stephenson, Ralph, and J. R. Debrix. The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
St. Lawrence, Jim. "The Temporary State of the Art." Videography 10, no. 6 (1985).
Spinrad, Paul. The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Sorensen, Vibeke. The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989.
Sorensen, Vibeke. The Contribution of the Artist to Scientific Visualization., 1989.
Sondheim, Alan. "Throat." Art Papers (1994).
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
Sondheim, Alan. "Towards A Primary Differentiation Between Film and Video." Art Papers (1989).
Smith, Anthony. "The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.
Slobode, Usvajanje. Taking Liberty: the second part of the international artists exchange program. Boston, MA: Mobius, 2000.
Sjolander, Ture. Ture Sjolander - complete CV. self, 2017.
Sitney, Adams P.. The Essential Cinema. Anthology Film Archives, series 2, vol. 1.. NY: New York University Press, 1975.
The Singer Company. Singer Education & Training Products. MP-100 Studio Console.. Binghamton, NY: The Singer Company., undated.
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100.. Binghamton, NY: The Singer Company, Link Division., undated.
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written).. Binghamton, NY: The Singer Company, Simulation Products Division., undated.
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400.. Pleasantville, NY: Singer-General Precision, Inc., 1969.

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