Biblio

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bibliographic
The Model, Rien Nier II, Buena Vista, and Abstracts. Berkeley, CA: University of California, Berkeley, 1980.
Em, David. The Art of David Em: 100 Computer Paintings. NY: Harry N Abrams, 1988.
Emmer, Michele. The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
EMS, Jennifer Morris. The EMS Spectre Video Synthesizer Handbook.. London, England: EMS, 1974.
The Paik Abe Video Synthesizer Manual., 1974.
Felsenstein, Lee. "Tom Swift Lives." People?s Computer Company (undated).
Ferkiss, Victor C., and Elting E. Morison. Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Fifield, George. "The Digital Atelier." Art New England (1997).
Foster, Hal. The Anti-Aesthetic. Washington, 1983.
Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Gardner, Paul. "Tuning in to Nam June Paik." Artnews 81, no. 5 (1982).
Gartel, Laurence. "The Incubation of Electronic Imaging: Let the Fun Begin." Photomethods 25, no. 9 (1982).
Gartenberg, Jon. "Twelve building blocks: Good Films, Good People, Support Base, Ethics, Skills, Procedures and Principles, Facilities, Money, Policies, Information, Coordination, Intellectual Framework." Journal of Film Preservation 24, no. 50 (1995).
Gattegno, Caleb. Towards a Visual Culture: Education through Television. New York, NY: Avon Books, a division of the Hearst Corporation, 1969.
Gear, Josephine. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Gerbner, George. The Analysis of Communications Content, Edited by George Gerbner. NY: John Wiley, 1969.
Gessner, Robert. The Moving Image: A Guide to Cinematic Literacy. New York, NY: E. P. Dutton & Co., Inc., 1968.
Gitlin, Todd. The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
Reilly, John. The Endangered Documentary and Other Species: A Continuing Series.... New York, NY: Global Village, undated.
Goldberg, Ken. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.
Gorewitz, Shalom. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Graham, Peter. The New Wave. Garden City, NY: Doubleday & Company Inc., 1968.
Gregory, R. L.. The Intelligent Eye. New York, NY: McGraw-Hill Book Company, 1970.
Grenier, Vincent. Ten Years of Living Cinema. NY: Collective for Living Cinema, 1982.
Gretzen, Phillip. "The National Center for Experiments in Television." Videocity - Radical Software from San Francisco 2, no. 3 (1972).
Grossman, Peter. "The VIdeo Artist as Engineer." Videography 3, no. 10 (1978).
Gustafson, Julie. The Global Village Handbook for Independent Producers and Public Television, Edited by Julie Gustafson. NY: Global Village Video Resource Center, 1981.

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