Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.

Jones, Bill T.. The MIT Press. Continuous Replay: the Photographs of Arnie Zane., Edited by Jonathon Green. Cambridge, MA: The MIT Press, 1999.

Gangitano, Lia. Thread Waxing Space. LP: Luther Price: Imitation of Life.. New York, NY: Thread Waxing Space, 1999.

de Witt, Helen, and Malcolm LeGrice. Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.

Ten days of enlightenment: 22nd Atlanta Film & Video Festival, June 5- June 14.. Atlanta, GA: Image: Film & Video Center, 1998.

Vasulka, Woody, Takashi Kaneko, and Aline Brandauer. The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.

Oliveros, Pauline. The Roots of the Moment: Pauline Oliveros. New York, NY: Drogue Press, 1998.

Subrin, Elisabeth, and Laurie Weeks. Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty., Edited by Lia Gangitano. New York, NY: Thread Waxing Space, 1998.

"Technology Makes Us... A Special Issue." The New York TImes Magazine 1997 (1997).

Murphy, William T.. Television and Video Preservation 1997: A Report on the Current State of American Television and Video Preservation. Washington: Library of Congress. Vol. 1-5., 1997.

and Sanders, Don Susan. The American Drive-In Movie Theatre. Hong Kong, Hong Kong: World Print, Ltd., 1997.

Fifield, George. "The Digital Atelier." Art New England (1997).

Petit, M. R.. "The Grimm Tale: The Evolution of a Multimedia Performance." Leonardo Fifth Annual New York Digital Salon 30, no. 5 (1997).

Sherarts, Karon. The National Media Education Directory, Edited by Karon Sherarts. San Francisco, CA: National Alliance for Media Arts and Culture, 1997.

Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).

Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.

Roth, Cliff. The Low Budget Video Bible. Revised Second Edition. New York, NY: Desktop Video Systems, 1995.

Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.

DeWitt, Tom. Thoughts on 3-D., 1995.

London, Barbara. "Time as Medium: Five Artists' Video Installations." Leonardo 28, no. 1 (1995).

Gartenberg, Jon. "Twelve building blocks: Good Films, Good People, Support Base, Ethics, Skills, Procedures and Principles, Facilities, Money, Policies, Information, Coordination, Intellectual Framework." Journal of Film Preservation 24, no. 50 (1995).

The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.

Noll, Michael A.. "The Beginnings of Computer Art in the United States: A Memoir." Leonardo, no. September (1994).

Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.

Sondheim, Alan. "Throat." Art Papers (1994).

The 7th New York Lesbian & Gay Experimental Film/ Video Festival and The Kitchen present: Mix.. New York, NY, 1993.

The Eighth Annual Los Angeles Asian Pacific Film & Video Festival. Los Angeles, CA: Visual Communications, 1993.

Sugaya, Hiroshi. "The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).

Hocking, Sherry Miller. Two Texts Concerning Portable Video., 1992.

Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.