Biblio

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Book
Benjamin, Walter. Reflections. Edited by Peter Demetz. Translated by E. F. N. Jephcott H.. NY: Harcourt Brace, Jovanovich, 1978.
Bode, Peer. Representation and Abstraction in Video., 1981.
Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.
Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.
Barthes, Roland. S/Z. Translated by Richard Howard.. NY: Hill and Wang, 1974.
Bark Productions, Cuddy, Terry, John Beer, and Marshall Stax. Self-Portrait (Upside Down) by John Beer and Terry Cuddy. Ithaca, NY: Bark Productions, undated.
Bark Productions, Cuddy, Terry, John Beer, and Marshall Stax. Self-Portrait (Upside Down) by John Beer and Terry Cuddy. Ithaca, NY: Bark Productions, undated.
Baudrillard, Jean. Simulations. Translated by Paul Foss, Paul Patton, Philip Beitchmann.. Semiotext(e), 1983.
Betancourt, Michael. Structuring Time: Notes On Making Movies. Wildside Press LLC, 2004.
Buchla, Don, Charles Macdermed, and Don Armfield, photos. Synthesizers, includes "Genesis of the Electronic Music Box"., Edited by unknown. unknown, 1971.
Brewster, Richard, and Dave Jones. System I, General Schematics. Binghamton, NY: Experimental Television Center, 1978.
Brewster, Richard, and Dave Jones. System I, Keyers and Voltage Controlled Amplifiers (VCA's). Binghamton, NY: Experimental Television Center, 1978.
Brewster, Richard, and Dave Jones. System I, Sequencer. Binghamton, NY: Experimental Television Center, 1978.
Brewster, Richard, and Dave Jones. System II. Binghamton, NY: Experimental Television Center, 1977.
Sturken, Marita. Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
Lane, Giles. The Biotica Project : An Artificial Life Installation, Edited by Giles Lane and RIchard Brown., undated.
Vasulka, Woody, Takashi Kaneko, and Aline Brandauer. The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Barnouw, Erik. The Golden Web: History of Broadcasting in the United States. NY: Oxford Press, 1968.
Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.
Berger, John. The Look of Things. NY: Viking Press, 1972.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Brand, Stewart. The Media Lab: Inventing the Future at MIT. NY: Viking, 1987.
Baudrillard, Jean. The Mirror of Produrtion. Translated by Mark Poster. St. Louis: , 1975.. St. Louis: Telos Press, 1975.
The National Video Preservation Center - A Brief Overview., undated.

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