Biblio

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Catalog
12th Annual Black Maria Film and Video Festival. Jersey City, NJ: Edison Media Arts Consortium, 1992.
Artists Videotape Distribution Service., undated.
Etra, Bill, and Steve Rutt. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Bill Etra & Steve Rutt, Rutt/Etra Scan Processor (Analog), 1973., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Electronic Arts Intermix Artists in 1995 Whitney Biennial Exhibition. New York, NY: Electronic Arts Intermix, 1995.
Electronic Arts Intermix Presents: New Tapes 1997. New York, NY: Electronic Arts Intermix, 1997.
Weiss, Peg. Everson Museum of Art of Syracuse and Onondaga County, November 1976. Syracuse , NY: Everson Museum of Art, 1976.
Information, Works and Activities: Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1976.
New Artists, New Tapes, and Special Series. New York, NY: Electronic Arts Intermix, undated.
Peter Campus. Syracuse: Everson Museum of Art., undated.
Silverfine, Debbie, and Linda Earle. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion., 1994.
Video Art Review. NY, NY: Anthology Film Archives and Electronic Arts Intermix, 1980.
VIII. International Film and Video Art Festival., Edited by Hartyandi Jeno and Toth Erzebet. Gyor, Hungary: Visual Workshop of Gyor, 1991.
VMS Video Modular System., undated.
Rinder, Lawrence, Anne Ehrenkranz, and Joel Ehrenkranz. Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004.. New York, NY: Whitney Museum of American Art, 2003.
Rinder, Lawrence, Anne Ehrenkranz, and Joel Ehrenkranz. Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004.. New York, NY: Whitney Museum of American Art, 2003.
Work from the Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Journal Article
Erdmann, Petra. "Cemeteries of Old Media." springerin, no. 4 (2004).
Etra, Bill. "Colorizers Come of Age." Videography 4, no. 4 (1979).
Economos, Nicolas. "Embracing Digital Ruptures." The Squealer 15, no. 1 (2004): 2.
"Festival Issue." Sightlines 16, no. 4 (1983).
Erickson, Leann. "Independent film and video in Boston." Afterimage (1997).
Eco, Umberto. "Innovation and Repetition: Between Modern and Post-Modern Aesthetics." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 161-184.

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