Biblio
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The Avant-Garde in Dry Dock." The Village Voice (1972).
"The Beat Among Us: Jud Yalkut." Impact Weekly 8, no. 15 (2000).
"The Beginnings of Computer Art in the United States: A Memoir." Leonardo, no. September (1994).
"The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.
The Best of the West?" Videography 10, no. 5 (1985).
"The Best Thing on Television: Commercials. Baltimore: Penguin, 1978.
The Bias of Communication. Toronto: University of Toronto Press, 1951.
The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.
The Biotica Project : An Artificial Life Installation, Edited by Giles Lane and RIchard Brown., undated.
The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.
The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
The Camera Age. NY: Farrar, Straus and Giroux, 1981.
The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Cat Fund: The Contemporary Art Television Fund. Boston, MA: The Cat Fund, 1988.
The Cat-100 Computer Assisted Television System for the S-100 Bus. Palo Alto, CA: Digital Graphics Systems, 1979.
The Center Will Not Hold: The Other New York - Regional Reflections." Afterimage 15, no. 3 (1987).
"The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
The Cinematic Apparatus, Edited by Teresa de Lauretis. NY: St. Martin's Press, 1980.
The Computer Revolution and the Arts, Edited by Richard Loveless. Gainesville, FL: University Presses of Florida, undated.
The Contemporary Art Television Fund: The first five years. Boston, MA: CAT/WGBH, 1988.
The Culture Consumers: A Study of Art and Affluence in America. NY: St. Martin's Press, 1964.
The Cybernetics of Performance and New Media Arts." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
"The De-definition of Art. New York. NY: Horizon Press, 1972.
The Decade of the 1980s: More Observations Than Predictions." Videography 5, no. 1 (1980).
"The Dialogical Mode., 1982.
The Digital Atelier." Art New England (1997).
"The Digital Dialectic: New Essays on New Media. Cambridge: MIT Press, 1999.