Hocking, Sherry Miller. Definitions., 1977.

Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Experimental Television Center Studio System Manual - Keying., 1980.

Hocking, Sherry Miller. How a Monitor and Camera Work: The Scanning Process. Binghamton, NY: Experimental Television Center, 1976.

Hocking, Sherry Miller. "Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. Fall/Winter 2002 (2002).

Hocking, Ralph, and Richard Brewster. Hocking System. Binghamton, NY: Experimental Television Center, 1973.

Hocking, Sherry Miller, Richard Brewster, and Walter Wright. Raster Manipulation Unit: Operation and Construction. Binghamton, NY: Experimental Television Center, 1980.

Hocking, Ralph. Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.

Hocking, Sherry, Richard Brewster, Walter Wright, Jason Bernagozzi, and Dave Jones. Construction of a Raster Manipulation Unit - Revision by Jason Bernagozzi at Signal Culture, 2016. Owego, New York: Experimental Teleision Center and Signal Culture, 2016.

Hocking, Sherry Miller. Principles of Electronic Image Processing - Scanning., 1978.

Hocking, Sherry Miller. Early Distributors of Video Art: Articles., undated.

Hocking, Sherry Miller. Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.

Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Jones Sequencer in Experimental Television Center Studio System Manual., 1980.

Hocking, Sherry Miller. Want Ads., 1972.

Hocking, Sherry Miller. Looking Back/Looking Forward: A Symposium on Electronic Media Preservation., 2003.

Hocking, Sherry Miller. Two Texts Concerning Portable Video., 1992.

Hocking, Ralph. A Proposal for Low Cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape that Will Not Play Back. Or The Resurrection Bus. Owego, NY: Experimental TV Center, 1990.

Hohendahl, Peter. The Institution of Criticism. Ithaca: Cornell University Press, 1982.

Hollie, Paul. "Hocking is "Champion of the Arts"." unknown (1989).

Holman, David, and Bruce L. Holman. A Better Mousetrap: The CAESAR. Filmmakers Newsletter, 1975.

Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.

Hones, Luke. Reel to Real: A Case Study of BAVC's Remastering Model., 2002.

Hoone, Jeffrey. "Many Hands: Light Work's First 25 Years Jeffrey Hoone (1998)." Contact Sheet 97: 25th Anniversary Edition, no. 1998 (1998).

Hoptman, Laura. "The Center Will Not Hold: The Other New York - Regional Reflections." Afterimage 15, no. 3 (1987).

Horitz, Robert. "Chris Burden." Artforum (1976).

Horkheimer, Max, and Theodor W. Adorno. Dialectic of Enlightenment. Translated by John Cumming. NY: Seabury Press, 1977.

Hornbacher, Sara. Artist's Video I: Video in the Boroughs. NY: Locus Communications and BACA, 1983.

Hornbacher, Sara. Path of Dreams: Video in the Boroughs. Locus Communications and the Newhouse Gallery, 1983.

Hornbacher, Sara. "Editor's Statement." Video: The Reflexive Medium Issue Fall, no. 1985 (1985).

Hornbacher, Sara. Video: The Reflexive Medium - Editor's Statement, Edited by Sara Hornbacher. NY, NY: College Art Association, 1985.

Hornbacher, Sara. A Thousand Plateaus, Edited by Barbara Schreiber. Atlanta, GA, 2001.