Biblio
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Thank you for a residency.., 1975.
Television Myth and the American Mind. NY: Praeger, 1984.
The Perception of Television Displays. Columbia University, 1973.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
The Institution of Criticism. Ithaca: Cornell University Press, 1982.
The Center Will Not Hold: The Other New York - Regional Reflections." Afterimage 15, no. 3 (1987).
"The Media Arts in Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
The Media Arts In Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
Technics and Praxis. Boston Studies in the Philosophy of Science, vol. 24. Boston: D. Riedel, 1979.
Takahiko Iimura, Seeing: Film et Video. Espace Donguy APEGAC, undated.
Ten days of enlightenment: 22nd Atlanta Film & Video Festival, June 5- June 14.. Atlanta, GA: Image: Film & Video Center, 1998.
The Bias of Communication. Toronto: University of Toronto Press, 1951.
The Famous TV Trouble Shooter: Fix Your Set Yourself. This Book Shows you How to Do It. Up-to-Date Revised Edition.. New York, NY: Authentic Publications, Inc., undated.
The Paper Tiger IDS-460 Impact Printer Owner's Manual.. Milford, NH: Integral Data Systems, Inc., 1981.
The Intecolor Series Price List Sales Brochure. Norcross, GA: Intelligent Systems Corp., 1977.
The Performer Synthesizer: A Non-Technical Approach to Electronic Music Synthesis.. Morristown, NJ: Ionic Industries, Inc., 1972.
The Performer Synthesizer Newspaper Reprints from various sources. Morristown, NJ: Ionic Industries, Inc., 1970.
The Emergence of Film Art. New York, NY: Hopkinson and Blake, 1969.
The Extraordinary Javelin Master X-400 Video Tape Recorder ; Model SC 950 Camera; CC 700 Camera; CC 500 Camera; Video Monitors Sales Literature. Los Angeles, CA: Javelin Electronics Co., 1970.
The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).
"The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.
"The Poisoned Chalice? International Television and the Idea of Dominance." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 17-56.
"The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.
"The Filming of Art." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 141-160.
"The Mind's Eye and the Human Eye." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 185-200.
"Television and Reality: A Report from the Television: Art and Information Meeting (Asilomar, CA 6/8-11/73." National Center for Experimental in Television Reports 2 (undated).
"Television: Art & Information, Values and practices in public broadcasting.. San Francisco, CA: National Center for Experiments in Television at KQED, 1973.
Television and Reality: A Report from the Television: Art and Information Meeting. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
The Nature and Art of Motion, Edited by Gyorgy Kepes. NY: George Braziller, 1965.