Biblio

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H
Hulser, Kathleen. "Skip Blumberg's Great Performances." American Film (1983).
Hulser, Kathleen. "Artists Gain Access to Cable." Videography 10, no. 1 (1985).
Huffman, Kathy Rae. California Video. Long Beach Museum of Art, 1980.
Huffman, Kathy Rae. Video: A Retrospective. Long Beach Museum of Art, 1984.
Hudlin, Warrington, and George P. Cunningham. Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Huberman, Anthony, Alanna Heiss, and Glenn D. Lowry. Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust. P.S. 1, 2003.
Hubbard, Jim, and Mona Jimenez. Meeting the Challenges of Video Preservation: A Progress Report on Initiatives within the Media Arts Field by Media Alliance. NY, NY: Media Alliance, 1996.
Hubbard, Jim. "Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative." MAIN, no. Spring/Summer 2001 (2001).
Hoy, Anne. The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
Howley, Kevin. Envision Television: Charting the Cultural Geography of Homelessness In Ecumene. Vol. 8., 2001.
Howley, Kevin. Community Media: People, Places, and Communication Technologies. Cambridge University Press, 2005.
and Howell, Bell. Bell and Howell- How to Use Your Filmosound 8 Super Eight Movie Camera Model 442. Chicago, Illinois: Bell and Howell, undated.
Howard W. Sams & Co., Inc. Production Change Bulletin, Set 683, Folder 4.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1964.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1459.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1975.
Howard W. Sams & Co., Inc. The Photofact Servicer, Set 1249.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1972.
Howard W. Sams & Co., Inc. The Photofact Servicer, Set 749.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1965.
Howard W. Sams & Co., Inc. Production Change Bulletin.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Howard, Brice. About Television Reality and Performance. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Howard, Brice. "About Television Reality and Performance." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. An Ancient Gift. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Howard, Brice. Videospace and Image Experience. San Francisco: National Center for Experiments in Television, 1972.
Howard, Brice. Dear David. San Francisco, CA: National Center for Experiments in Television, undated.
Howard, Brice. "Letter to David Dowe." National Center for Experimental in Television Reports 2 (undated).
Howard, Brice. "An Ancient Gift." National Center for Experimental in Television Reports 2 (undated).
Houston Instrument Series 2000 and 3000 Recorders. Austin, TX: Houston Instrument (a division of Bausch and Lomb), undated.
Horsfield, Kate. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Edited by Kate Horsfield and Lucas Hilderbrand. PA: Temple University Press, 2006.
Horrigan, Bill. The Media Arts In Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
Horrigan, Bill. The Media Arts in Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.
Hornbacher, Sara. Video: The Reflexive Medium - Editor's Statement, Edited by Sara Hornbacher. NY, NY: College Art Association, 1985.
Hornbacher, Sara. Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.

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