Biblio

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bibliographic
McDarrah, Fred. "Scenes from An Avant-Garde Festival." The Village Voice (1972).
Master, Channel. Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
Moholy-Nagy, Sibyl, and Walter Gropius. Moholy-Nagy: Experiment in Totality. Cambridge, MA: MIT Press. Massachusetts Institute of Technology, 1950.
Malloy, Judy. Women in New Media: Sources in Art and Technology. Cambridge, MA: MIT Press, 2003.
Mumma, Gordon. Considerations of the Basic Parameters of Sound., undated.
Michelson, Annette. New Forms in Film. Exhibition catalogue., Edited by Annette Michelson., 1974.
McIntosh Instruction Manual for Model C-8 and C-8P Professional Audio Compensators.. Binghamton, NY: McIntosh Laboratory, Inc., 1956.
Mayer, Alfred. The Performer Synthesizer: A Non-Technical Approach to Electronic Music Synthesis.. Morristown, NJ: Ionic Industries, Inc., 1972.
Rhea, Tom. Micromoog 2090 Operation Manual. Lincolnwood; Williamsville, Illinois; N.Y.: Moog (A Product of Norlin Corporation), 1976.
Marks, Laura U.. "Images Of Intermedia." Afterimage (2000).
Muybridge, Eadward, and Robert Taft. The Human Figure in Motion. New York, NY: Dover Publications, Inc., 1955.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
Strange, Allen, and Gordon Mumma. Electronic Music: systems, techniques, and controls, Second Edition.. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1972.
Miller, Aaron, and Monica Duncan. Land-Tracking-Land. Rochester, NY: Rochester Contemporary, 2006.
McLuhan, Marshall. The Gutenberg Galaxy. Toronto: University of Toronto Press, 1962.
MacDonald, Scott. A Critical Cinema 2: Interviews with Independent Filmmakers. University of California Press, 1992.
Morello, Steve. "Center Lets People Use TV For Themselves." Press (1971).
Mellencamp, Patricia. "Postmodern TV: Wegman and Smith." Afterimage 13, no. 5 (1985).
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
and McCarthy, J., Earnest Reddy Vicens. L. D. D. R. P.. "A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
McHale, John. "Buckminster Fuller's Geodesic Dome." (1956): 1-5.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
CCTV Motorola Closed Circuit Television Transistorized Cameras and Control Kits for Model S1120C Indoor Camera, S1121C Explosion-Proof Camera, S1122C All-Weather Camera (2 copies). Chicago, Illinois: Motorola, 1965.
Meyers-Kingsley, Dara, and Chris Chang. Reel Work: Artists' Film and Video of the 1970s. Miami, FL: Museum of Contemporary Art, 1996.
McGriff, Teresa. "The Panama Tapes: Videographers Enin and Ethel Velez." Videography 3, no. 12 (1978).
Ferkiss, Victor C., and Elting E. Morison. Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.
MonteVideo Art Foundation. Amsterdam, Holland, 1986.
Manovich, Lev. The Language of New Media. MIT Press, 2001.
ArtVideo Confrontation '74. Paris: Musee d'Art Moderne de la Ville de Paris,, 1974.

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