Biblio

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"T.V. Camera Test Stand"; "Uniform Light Source Model No. 200A". Bedford Hills, New York: D. Vel Research Laboratories, 1970.
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De la Vega-Hurtado, Margarita, Richard Herskowitz, and Patricia Zimmermann. 50 (Fifty) Years of Flaherty: Inspired Filmmaking, Edited by Nadine Covert. New York, NY: International Film Seminars, Incorporated/ The Flaherty, 2004.
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Martin, Nathan, Charles Green, and John Duda. FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
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De Michiel, Helen, and Kathy High. A Closer Look: Hidden Histories - Introduction. San Francisco, CA: NAMAC, 2005.
Danto, Arthur. After the End of Art. Princeton, 1997.
D'Agostino, Peter. Alpha, Trans, Chung. Peter D'Agostino: A Photographic Model: Semiotics, Film, and Interpretation. Dayton: University Art Galleries, Wright State University, 1978.
Berkowitz, Terry, and David Donihue. Alternating Currents. NY: Alternative Museum, 1985.
An Introduction to CP/M Features and Facilities. Digital Research. Pacific Grove, California: Digital Research, 1976.
Dowling, Susan. "Ars Electronica - History of the WGBH New Television Workshop." Ars Electronica 1986 Festival f?r Kunst, Technologie und Gesellschaft Catalog (1986).
Druckrey, Timothy. Ars Electronica: Facing the Future: A Survey of Two Decades (Electronic Culture: History, Theory, and Practice), Edited by Timothy Druckrey. MIT Press, 2001.
Druckrey, Timothy. Ars Electronica: Facing the Future: A Survey of Two Decades (Electronic Culture: History, Theory, and Practice), Edited by Timothy Druckrey. MIT Press, 2001.
Dickie, George. Art and Aesthetic. Ithaca, NY: Cornell University Press, 1974.
Daedalus. "Art and Science." Daedalus Summer (1986).
Davis, Douglas. "Art and Technology; The New Combine." Art in America 56, no. 1 (1968).
Davis, Douglas. Art and the Future. NY: Praeger, 1973.
Davis, Douglas. Art and the Future: A History/Prophecy of the Collaboration between Science, Technology and Art. NY: Praeger, 1973.
Davis, Douglas. Art Culture: Essays on the Postmodern. NY: Harper & Row, 1977.

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