Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.

Arn, Robert. "The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).

The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.

Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.

Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.

Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).

Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).

Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).

Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.

Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.

The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.

Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).

Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).

Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).

Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).

Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.

Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.

Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).

Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).

Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer (2004).

Iimura, Takahiko. "Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).

Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.

Landnzan, Katherine. "The Kitchen." Videoscope 1, no. 2 (1977).

Leogrande, Ernest. "The Video Stretch." Daily News (1973).

London, Barbara. "Time as Medium: Five Artists' Video Installations." Leonardo 28, no. 1 (1995).

Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.

Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.

The Film., undated.