Biblio

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The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Sondheim, Alan. "Throat." Art Papers (1994).
Sanz, Luciana. The Language of Video., undated.
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer (2004).
Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Quasha, George. The Dialogical Mode., 1982.
Landnzan, Katherine. "The Kitchen." Videoscope 1, no. 2 (1977).
Arn, Robert. "The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Turim, Maureen. The Electronic Gallery, Edited by Maureen Turim. Binghamton , NY: Binghamton University, 1980.
Quasha, George. The Parapoetics of Video., 1982.
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
Sherman, Thomas. The Art Style Computer Processing System. Toronto, Ontario, 1974.
DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Tajchman, E. J.. "The Incredible Animation Machine." Videography 2, no. 11 (1977).
Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.

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