Biblio
The Gate Theater." Artscanada (1967).
"The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
"The Video Stretch." Daily News (1973).
"The Art Style Computer Processing System. Toronto, Ontario, 1974.
The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
"The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.
The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
The Incredible Animation Machine." Videography 2, no. 11 (1977).
"The Kitchen." Videoscope 1, no. 2 (1977).
"Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.
The Electronic Gallery, Edited by Maureen Turim. Binghamton , NY: Binghamton University, 1980.
Television/Society/Art symposium, The Kitchen." Afterimage (1981).
"The Dialogical Mode., 1982.
The Parapoetics of Video., 1982.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
"Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
"The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
"The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.