Biblio

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Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Quasha, George. The Parapoetics of Video., 1982.
Turim, Maureen. The Electronic Gallery, Edited by Maureen Turim. Binghamton , NY: Binghamton University, 1980.
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Sherman, Thomas. The Art Style Computer Processing System. Toronto, Ontario, 1974.
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Tajchman, E. J.. "The Incredible Animation Machine." Videography 2, no. 11 (1977).
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.
Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Iimura, Takahiko. "Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.
Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
London, Barbara. "Time as Medium: Five Artists' Video Installations." Leonardo 28, no. 1 (1995).
Sjolander, Ture. Ture Sjolander - complete CV. self, 2017.
Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).
Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
Leogrande, Ernest. "The Video Stretch." Daily News (1973).
Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Catalog. Syracuse, NY: Everson Museum, 1976.
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Sorensen, Vibeke. The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989.
Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.

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