Biblio

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Book
Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Quasha, George. The Dialogical Mode., 1982.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Film., undated.
Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Sanz, Luciana. The Language of Video., undated.
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.
Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.
Journal Article
Iimura, Takahiko. "Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer (2004).
Hocking, Sherry Miller. "The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
Arn, Robert. "The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
Tambellini, Elisa. "The Gate Theater." Artscanada (1967).
Tajchman, E. J.. "The Incredible Animation Machine." Videography 2, no. 11 (1977).
Landnzan, Katherine. "The Kitchen." Videoscope 1, no. 2 (1977).

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