Biblio
The Film., undated.
The Language of Video., undated.
Ture Sjolander - complete CV. self, 2017.
The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
"The Evolution of Thinking Machines." The Squealer (2004).
"The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
"Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Trent Harris: Beaver Trilogy." Film Comment (2000).
"Transnational Documentaries: A Manifesto." Afterimage (1997).
"The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Time as Medium: Five Artists' Video Installations." Leonardo 28, no. 1 (1995).
"Throat." Art Papers (1994).
"Talking to Myself: Phenomenological Operation." Anthology Film Archives Notes (1990).
"The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
"The Artist in the 2 and 3 -D Marketplace. Boston, MA: ACM SIGGRAPH Conference, 1989.
The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
"The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
"Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
"The Dialogical Mode., 1982.
The Parapoetics of Video., 1982.
Television/Society/Art symposium, The Kitchen." Afterimage (1981).
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