Biblio
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Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy.. NY, NY: Rockefeller Foundation, 1979.
Getting into the Act: Video in Live Performance." Videography 3, no. 3 (1978).
" Rockefeller Foundation Proposal - Nam June Paik - Archive of Senior American Composers. 1972., 1972.
L'Image Electronique. City du Havre: Studio du Musee d'art contemporain, 1974.
Rhizome ArtBase Management Policy. NY, NY: Rhizome, 2002.
(Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog." Millennium Film Journal No. 39/40, no. No. 39 / 40 (2003).
"Quest for What: Video by the HalfLifers." Film Comment (1999).
"Video from Tokyo to Fukui and Kyoto. NY, NY: The Museum of Modern Art, 1979.
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Evolution of Thinking Machines." The Squealer (2004).
"Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.
Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
"Owego TV Pioneer Getting Arts Award." Press & Sun Bulletin (1989).
"A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
Gerald O'Grady: The Perspective from Buffalo." Videoscope 1, no. 2 (1977).
"Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
"Introduction to The Frontier 1979-1980. Buffalo, NY: Media Study/Buffalo, 1980.
Ture Sjolander - complete CV. self, 2017.
Kjell Bjorgeengen - True Blanking. Aachen: Ludwig Forum for Internationale Kunst,, 1998.
Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
"Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
" Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation." Wide Angle 21, no. 1 (1999).
"The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
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