Biblio

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Kiger, Bob. ""Videography" What Does It All Mean?" American Cinematographer (1972).
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Hill, Chris. "(Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog." Millennium Film Journal No. 39/40, no. No. 39 / 40 (2003).
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Conrad, Tony. "1 2 3 4: A Position Statement on Upstate Media Development." NY Media Decentralization Institute June (1989).
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Nesthus, Marie. A Birthday Celebration for Doris Chase Painter, Sculptor, Film/Video Pioneer. Program Notes for Exhibition.. NY, NY: Donnell Media Center, 2003.
Tambellini, Aldo. A Brief History of "6673". New York, New York, 2003.
De Michiel, Helen, and Kathy High. A Closer Look: Hidden Histories - Introduction. San Francisco, CA: NAMAC, 2005.
High, Kathy, and Ralph Hocking. A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
Tambellini, Aldo. "A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).
A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Giloth, Copper, and Lynn Pocock-Williams. "A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
Gusella, Ernest. A Statement on Video., 1979.
Templeton, Lawrence W., Don Hallock, and Richard Stephens. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Vasulka, Woody. Aldo Tambellini: Black Spiral., 1992.
Cuba, Larry. "An Introduction to Computer Animation." Video 80 4 (1982).
Iimura, Takahiko. Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura. London: Institute of International Visual Arts, 1998.
Schlanger, Matthew. Art Statement., undated.
Sorensen, Vibeke. Art, Science. http://visualmusic.org/vibeke, 1995.
Turim, Maureen. "Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation." Wide Angle 21, no. 1 (1999).
Canepa, Anna. "Artist Contributors." Art-Rite, no. 7 (1974).
Hornbacher, Sara. Artist's Video I: Video in the Boroughs. NY: Locus Communications and BACA, 1983.
Hornbacher, Sara. Artist's Video II: Video in the Boroughs. NY: Locus Communications, 1983.
Astral Projections: A Polyfusion of Media. Rochester, NY: Visual Studies Workshop, 1974.
Osborn, Barbara. At Arm's Length: (Taking a Good Hard Look at) Artists' Video. NY, NY: New York State Council on the Arts, 1990.
Osborn, Barbara. At Arm's Length: (Taking a Good Hard Look at) Artists' Video, Edited by Barbara Osborn. NY, NY: New York State Council on the Arts, 1990.
Hill, Chris. Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.. Chicago: Video Data Bank, 1995.

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