Biblio

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Daedalus. "Futures." Daedalus. Summer (1987). Abstract
Lewis, Louise. "Future Video: Max Almy." LAICA Journal 38 (1983).
Sorensen, Vibeke. Future Tense: Arts Education Technology. http://visualmusic.org/vibeke, 1991. Abstract
Noriega, Chon A.. The Future of Latino Independent Media: A NALIP Sourcbook, Edited by Chon A. Noriega. Los Angeles, CA: UCLA Chicano Studies Research Center, 2000. Abstract
Rose, Brian. "The Future of Cultural Programming." Videography 11, no. 5 (1986). Abstract
Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003. Abstract
Rutt Electrophysics. Front Panel Diagram for Rutt/Etra Video Synthesizer. unknown, undated.
Sandin, Dan. From the Distribution Religion - Notes on the Aesthetic of Copying an Image Processor., undated.
Simmons, Richard. From the Academy to the Avant Garde - The Family Jewels. Rochester, NY: Visual Studies Workshop, 1981. Abstract
Tsuchiya, Arthur. From the Academy to the Avant Garde - Introduction. Rochester, NY: Visual Studies Workshop, 1981. Abstract
Simmons, Richard. From the Academy to the Avant Garde. Rochester, NY: Visual Studies Workshop, 1981. Abstract
Sharp, Willoughby. "From Teenage Monk to Video Bareback Rider: Paul Ryan." Video 80 2, no. 1 (1981). Abstract
Popper, Frank. From Technological to Virtual Art. MIT Press, 2007. Abstract
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990. Abstract
Boyle, Deirdre. "From Portapak To Camcorder: A Brief History Of Guerrilla Television." Journal of Film and Video 44, no. 1 – 2 (40545) (1992).
Buchloh, Benjamin H. D.. "From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. RAND, 2002. Abstract
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002. Abstract
The Japan Foundation. From to , Takahiko Iimura. Rome, Italy: The Japan Foundation, 1997. Abstract
American Center. French Video Art. Paris: Center for Media Art , The American Center, undated. Abstract
Rosebush, Judson. Frank Gillette: Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum, 1973. Abstract
Yalkut, Jud. "Frank Gillette and Ira Schneider: Parts I and II of an Interview." Radical Software, no. 1 (1970). Abstract
Rice, Shelley. "Francesc Torres: The Tyranny of the Past." Afterimage 10, no. 15 (1982).
Goffman, Erving. Frame Analysis. Cambridge: Harvard University Press, 1974.
Dalrymple Henderson, Linda. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, NJ: Princeton University Press, 1983. Abstract
Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques Alain Miller. Translated by Alan Sheridan.. NY: W. W. Norton, 1978.
Mander, Jerry. Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978. Abstract
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991. Abstract
[Anonymous]. Formative Meetings, Description (1979, 1980)., undated.
Arn, Robert. "The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).

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