Lord, Catherine. "Video, Technology, and the Educated Artist." The Independent 8, no. 5 (1985).

Sony Corporation of America. U-Matic Color Videocassette Player, Model VP-1200.. New York, NY: Sony Corporation of America., 1975.

General Radio Company Operating and Maintenance Instructions for Type 1530-A Microflash. Cambridge, MA: General Radio Company, 1957.

Panasonic AG-2100 VHS Video Casette Player., undated.

A Guide to Media and Formats. Redwood City, CA: Ampex, Magnetic Tape Division., 1989.

Town, Elke. Video By Artists 2, Edited by Elke Town. Toronto: Art Metropole, 1986.

Farrell, Tom. "We Can't Go Home Again." Sight & Sound 50, no. 2 (1981).

Sequencer Plus 64 Track Midi Sequencer/Editor Software; Voyetra Eight Programmable Eight-Voice Polyphonic Synthesizer Sales Literature.. Yonkers, NY: Octave Plateau Electronics, Inc., undated.

Tektronix Instruction Manual for the Type RM 529 Oscilloscope.. Beavertown, OR: Tektronix., 1964.

Beck, Stephen. Direct Video: Electronic Artform for Color Television. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.

Hayles, Katherine N., and Katherine Hayles. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago, 1999.

Ross, David A.. Americans in Florence: Europeans in Florence. Florence: Centro Di and Long Beach Museum of Art, 1975.

World Wide Video Festival. Den Haag, Netherlands: Kijkhuis, 1983.

Ars Electronica 1990: Digital Dreams - Virtual Worlds. Linz, Austria: Festival fur Kunst. Technologie und Gesellschaft, 1990.

Guberman, Ross, and Julia Kristeva. Julia Kristeva Speaks Out.., undated.

Radio Corporation of America (RCA). Engineering Products Division. Instructions: Type TA-3A Video Distribution Amplifier, MI-26157-A.. Camden, NJ: Radio Corporation of America (RCA)., undated.

Ward Electronic Industries. Riker-Maxon. Product Catalog.. Clark, New Jersey: Ward Electronic Industries. Riker-Maxon., undated.

Chandler, Annmarie. At a Distance: At a Distance Precursors to Art and Activism on the Internet, Edited by Norie Neumark. Cambridge, MA: MIT, 2005.

Critical Issues Facing the Arts in California: A Working Paper from The James Irvine Foundation. CA: Irvine Foundation and AEA Consulting, 2006.

Siggraph '82 Conference Proceedings Vol 16 no.3. NY: Association for Computing Machinery, 1982.

Brewster, Richard. Computer-Based Processing Video Synthesizer System Diagram. Binghamton, NY: Experimental Television Center, 1977.

Hohendahl, Peter. The Institution of Criticism. Ithaca: Cornell University Press, 1982.

Schlanger, Matthew, and David Jones. Schematics and notes in regard to First Jones Frame Buffer from Matthew Schlanger to Peer Bode (11 pages).. Owego, NY: Experimental Television Center, undated.

Hagen, Charles. "Video Art: The Fabulous Chameleon." Art News 88, no. 6 (1989).

Radio Corporation of America (RCA). RCA Victor. Color Television Receiver, Model CT-100 (Chassis No. CTC2, Manufacture No. 274): Service Data. 1954, No. T3.. Camden, NJ: Radio Corporation of America (RCA)., 1954.

Warshawski, Morrie. "Morrie in Videoland: AFI National Video Festival." Videography 13, no. 4 (1988).

Churchill, Ted. "Organism: From Time Compression to Time Capsule, An Interview with Hilary Harris." The Independent Gazette: Journal of Independent FIlm and Video Artists 1, no. 1 (1976): 1.

Singer-General Precision, Inc. Singer Simulation Products. Operation/Maintenance: T-1 Silicon Vidicon Television Camera.. USA: Singer-General Precision, Inc., 1972.

Buchloh, Benjamin. Rough Edits: Popular Image Video Dara Birnbaum., Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design, 1987.

Horrigan, Bill. The Media Arts in Transition, Edited by Bill Horrigan. Minneapolis, MN: Walker Art Center, 1983.