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bibliographic
Panasonic 3 Tube Color Camera WV-V3., undated.
Tyner, Kathleen. Literacy in a Digital World: Teaching & Learning in the Age of Information. Mahwah, NJ: Lawrence Erlbaum Associates, 1998.
An Introduction to CP/M Features and Facilities. Digital Research. Pacific Grove, California: Digital Research, 1976.
Paik, Nam June. "Random Access Information." Artforum IX, no. 11 (1980).
Cancel, Luis R., and Julie Saul. Moholy-Nagy, Fotoplastiks: The Bauhaus Years.. Bronx, NY: The Bronx Museum of the Arts, 1983.
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
Ross, David. Information about the Circuit exhibition, organized by Ross for the Everson Museum. March 1, 1974., 1974.
Wurzburg, Geraldine. "Experimental Television Center Explores Video as Art in Binghamton." Community Video Report (1974).
A Guide to Programming the Fairchild F-8 Microcomputer, Revision A. Mountain View, CA: Fairchild Semiconductor, 1975.
Real Time Design, Inc.. DATAMAX UV-1 Zgrass GLOSSARY & Zgrass LESSONS.. Chicago, IL: Real Time Design, Inc., 1981.
Wegman's World. Minneapolis: Walker Art Center., 1982.
Playback 1996: Video Preservation Roundtable. BAVC, 1996.
Koszarski, Richard. Masterpieces of Moving Image Technology. NY, NY: American Museum of the Moving Image, 1989.
Harris, Craig. "FAST." The Leonardo Almanac: International Resource in Art, Science and Technology (1993).
Singer-General Precision, Inc. Singer Simulation Products. Precision 1000-B High Resolution Television Camera with Precision 1000-C Addendum: Operation and Service Instruction Manual.. USA: Singer-General Precision, Inc., 1972.
Vasulka, Woody. "The Movement Within: Images Created on a Video Synthesizer." Afterimage 4, no. 12 (1979).
Arnheim, Rudolf. Film as Art. Berkeley. Berkeley: University of California Press, 1957.
Dhondy, Farrukh. "Keeping Faith: Indian Film and its World." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 125-140.
Grenier, Vincent. Ten Years of Living Cinema. NY: Collective for Living Cinema, 1982.
Semonche, Barbara. News Media Libraries: A Management Handbook, Edited by Barbara Semonche. Westport, CT: Greenwood Press, 1993.
Lyons, Nathan. Nathan Lyons on the Snapshot. Buffalo, NY: CEPA (Center for Exploratory and Perceptual Art), 1993.
and McCarthy, J., Earnest Reddy Vicens. L. D. D. R. P.. "A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
International Video Art Symposium. Kingston, Ontario: Agnes Etherington Art Center, Queens University, 1979.
Young, Katie. "Sudden Low-Tech Non Fiction." The Squealer 15, no. 1 (2004): 13.
Brewster, Richard. Experimental Television Center, Brewster Analog System (Analog Synthesizer). Owego, NY: Experimental Television Center, 1979.
Lord, Catherine. "It's The Thought That Counts: Video As Attitude." Afterimage 11, no. 3 (1983).
Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
SONY Service Manual Series CV-2100/2200 Videocorder Decks. Tokyo, Japan: SONY Corporation, 1968.
Ancona, Victor. "Videomania at the Whitney: Replay of Nam June Paik's Retrospective." Videography 7, no. 10 (1982).
Davis, Hatfield. Computer Animation. Filmmakers Newsletter, 1970.

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