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Benmussa, Simone, and Susan Britton. Babajaga: Rassegna Internazionale Donne Autrici di Cinema e Video. Schede Video.. Roma, Italy: Coop. Il Bagatto.
Ancona, Victor. "Bill Ritchie: Video in the Pacific Northwest." Videography 2, no. 6 (1977).
Ancona, Victor. "Bill Viola: Video Visions From the Inner Self." Videography 7, no. 12 (1982).
Ancona, Victor. "Bill Viola: Video Visions From the Inner Self, Part II." Videography 8, no. 1 (1983).
Bally Professional Arcade from Astrovision (4 copies). Columbus, Ohio: Astrovision, from page in Video Magazine, undated.
Bannon, Anthony. "Bode's Video and COmputer Art Pulses With Nervous Energy." Buffalo Evening News (undated).
and Howell, Bell. Bell and Howell- How to Use Your Filmosound 8 Super Eight Movie Camera Model 442. Chicago, Illinois: Bell and Howell, undated.
Beyond / In Western New York., 2005.
BJA Systems Model 135 Colorizer Preliminary Data Sheet (2 copies); Chromaton 14 Synthesized Animation for Television. Willow Grove, PA: BJA Systems, Inc., 1976.
"Black Face." The Quarterly Journal of the Black Filmmaker Foundation 1, no. 1 (1989).
Bode Vocoder Model No. 7702 16 channel model; Bode Frequency Shifter Model No. 741 XR. N. Tonawanda, NY: Harald Bode, undated.
Burnham, Jack. Beyond Modern Sculpture.: The Effects of Science and Technology on the Sculpture of This Century. NY: Praeger, 1972.
Binder containing Cromemco Z-2, Z-2D Instruction Manual and Measurement Systems and Controls Addendum to Technical Manual for Model DM6400 Series, S-100 Dynamic Memory Boards.. Orange, CA: Cromemco, Measurement Systems and Controls, 1979.
Daniels, Dieter. "Between 007 and Joseph Beuys." Mediamatic 3, no. 1 (1987).
Daniels, Dieter. "Biennal de Video Barcelona." Mediamatic 3, no. 77/78 (1985).
Duguet, Anne-Marie. Be a Musician, You'll Understand Video. Catalogue of the National Video Festival.. Los Angeles: American Film Institute, 1986.
for the Arts, Roberson Center. Brochure Describing Video Workshops.., 1975.
and Davis, Experimental Television Center Paul, Cromemco, and Texas Instrument. Bytesaver Instruction Manual, Bytesaver II Instruction Manual, TMS Video Display Processor Data Manual, Tarbell Floppy Disks (Volume 2). Trevose, PA: Cromemco Inc., undated.
Fenton, Kirk. "Bringing TV To the People." Pipe Dream (1971).
Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).
Gillette, Frank. Between Paradigms: The Mood and Its Purpose. NY: Gordon and Breach, 1973.
Hagen, Charles, and Laddy Kite. "Breaking The Box: The Electronic Operas of Robert Ashley and Woody Vasulka." Artforum 23, no. 7 (1985).
Hallock, Don. Black and white images from the Videola and its creator Don Hallock. Photography by Penny d'Hammer.., 1973.
Hamamoto, Darrell. "Bill Viola." LBMAVideo 2, no. 2 (1982).
Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.
Kanter, Beth. Building Arts Audiences and Communities on the Web: A Guide for Arts Organizations. NY, NY: New York CFoundation for the Arts, 1997.
Kolpan, Steven. "Bateson Through the Looking Glass." Video and the Arts 11 (1986).
Livingston, Jane, and Marcia Tucher. Bruce Nauman. Work From 1965-1972.. Los Angeles: Los Angeles County Museum of Art, 1972.
MacGowan, Kenneth. Behind the Screen: The History and Techniques of the Motion Picture. New York, NY: Dell Publishing Co., Inc., 1965.
McArthur, Donald, and Richard Brewster. Buss Indicator. Binghamton, NY: Experimental Television Center, 1977.