Biblio
Computer Inputs and Outputs." Scientific American (1966): 86-97.
"Computer Displays." Scientific American 222, no. 6 (1970): 57-76.
"Computer Art as a Way of Life." SEND 2, no. 1 (1983).
"Community Video: An Inner Look." Videoscope 1, no. 2 (1977).
"Community Memory: A Public Information Network." LGG Engineering (undated).
"Communication, Organizations and John Stuart Mill." National Center for Experimental in Television Reports 3 (1972).
"Colorizers Come of Age." Videography 4, no. 4 (1979).
"Color, Form, and Motion: Dimensions of a Musical Art of Light." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"Collector's Video." Artweek 5, no. 23 (1974).
"CollageMachine: An Interactive Agent of Web Recombination." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"Close Encounter with Ron Hays." Videography 3, no. 3 (1978).
"City Director Films Life of Valentino." Binghamton Press (1973).
"Cinema Department - Rebels with a Cause." Pipe Dream (1972).
"Chris Petit and Iain Sinclair Asylum." Film Comment (2000).
"Chris Burden." Artforum (1976).
"Changing channels: media arts in the '90s." Afterimage (1994).
"Center Lets People Use TV For Themselves." Press (1971).
"Censoring the Media." Felix: A Journal of Media Arts and Communication 1, no. 1 (1991).
"Cemeteries of Old Media." springerin, no. 4 (2004).
"Can Your TV Pass His Literacy Test?" Sun-Bulletin (1972).
"Camera Art." Studio International 190 (1975).
" "Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology. In Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon.. Vol. 33. Cambridge, MA: MIT Press, 2000.
Cybernetic Serendipity Expanded Education for the paper-less society. London: Institute of Contemporary Arts, 1968.
Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.
Computer Art: An Ohio Perspective. Dayton, OH: Dayton Visual Arts Center, 1993.
coming and going: New York (Subway) Paris (Metro) San Francisco (BART) Washington (Metro). San Francisco: NSF Press, 1982.
Chimaera Monographie Irit Batsry: Traces of a Passage. France: Edition du Centre International de Creation Video Montbeliard Belfort, 1993.
CEPA Gallery Winter 1992-1993. Buffalo, NY: CEPA Gallery, 1993.
Catalogue., undated.