Biblio

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B
Batsry, Irit. Irit Batsry: To Leave and to Take, Video and Mixed-media Installation. Paris, France: La Ferme du Buisson, 2003.
Battcock, Gregory. "Nam June Paik Exhibition in New York." Domus 559 (1976).
Battcock, Gregory. "Explorations in Video." Art and Artists (1973).
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Battcock, Gregory. The New American Cinema, Edited by Gregory Battcock. New York: EP Dutton, 1967.
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Battcock, Gregory. New Artists Video: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1978.
Baudrillard, Jean. Simulations. Translated by Paul Foss, Paul Patton, Philip Beitchmann.. Semiotext(e), 1983.
Baudrillard, Jean. In the Shadow of the Silent Majorities . . . or The End of the Social. Translated by Paul Foss, Paul Patton, John Johnston.. Semiotext(e), 1983.
Baudrillard, Jean. For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
Baudrillard, Jean. The Mirror of Produrtion. Translated by Mark Poster. St. Louis: , 1975.. St. Louis: Telos Press, 1975.
Playback 1996: Video Preservation Roundtable. BAVC, 1996.
The National Video Preservation Center - A Brief Overview., undated.
Bazin, Andre. What is Cinema? Essays selected and translated by Hugh Gray.. Berkeley: University of California Press, 1967.
Bear, Liza. "various articles." Avalanche, no. 7 (1973).
Bear, Lisa. "Various Artists." Avalanche, no. eight (1973).
Bear, Liza. "Man Ray. Do You Want To . . .An Interview With William Wegman." Avalanche 7 (undated).
Bearman, David. Archiving and Authenticity: The Getty Art History Information Program Research Agenda for Networked Cultural Heritage,. 1995, 1995.
Beck, Stephen. Union. Description of videotape., undated.
Beck, Stephen. "Direct Video: Electronic Artform for Color Television." National Center for Experimental in Television Reports 3 (undated).
Beck, Stephen. Direct Video: Electronic Artform for Color Television. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Beck, Stephen. Cycles. Description of film by Jordan Belson and Stephen Beck., 1974.
Beck, Stephen. "The Phosphotron." SEND 9 (1984).
Beck, Stephen. Video Synthesis in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Beck, S. C.. Direct Video: An Electronic Artform for Color TV. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Beck, Stephen. "Video by Stephen Beck." Artweek 8, no. 44 (1977).
Beck, Stephen. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing and Video Synthesis by Stephen Beck., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Beck, Stephen. Direct Video: Electronic Artform for Color Television In National Center for Experimental in Television Reports 3.
Beck, Stephen. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Stephen Beck: Direct Video Synthesizer (Analog), 1970, Beck Video Weaver (Digital), 1974., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Becker, Barbara. Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology. In Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon.. Vol. 33. Cambridge, MA: MIT Press, 2000.

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