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Fifield, George. The Vision of Fred Barzyk: The WGBH New Television Workshop 1968 - 1978 George Fifield., undated.
Film and Electronic Media Program. Working Draft- Not for Reproduction.. Film and Electronic Media Program, undated.
1996 Annual Mill Valley Film Festival Souvenir Program. Mill Valley, CA: Mill Valley Film Festival, 1996.
Larson, Roger, and Paula Jarowski. Catalog IV: Film/ Video Arts, Edited by Laura Hoptman. New York, NY: Film/ Video Arts, Inc., 1985.
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Flexer, Robert J., and Gio Wiederhold. A Building Block Approach to Color Graphics (excerpted) In Computer Graphics Quarterly. Vol. 13., 1979.
Foley, Tod. DayTrippers Core Rules In DayTrippers Core Rules. 1.0 ed. Las Vegas, NV: As If Productions, 2015.
Curti, Denis, and Giovanni Pelloso. Recinti: Tell-a-Vision. Torino, Italy: Fondazione Italiana per la Fotografia, 1999.
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
Forde, Kathleen. What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.
Foreman, Richard. Unbalancing Acts: Foundations for a Theater., undated.
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Foresta, Don. "Video and the Theory of Relativity." Catalogue of the 12 Biennale of Paris (1982).
Foster, Hal. "Between Modernism and the Media." Art in America 70, no. 6 (1982).
Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Foster, Hal. The Anti-Aesthetic. Washington, 1983.
Foster, Hal. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983., Edited by Hal Foster., undated.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.
Fox, David, and Mitchell Waite. Computer Animation Primer., 1984.
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Frampton, Hollis. Circles of Confusion: Film, Photography, Video, Texts 1968-1980. Rochester: Visual Studies Workshop, 1983.
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Frankenstein, Alfred. "Some Video Sculptures." San Francisco Chronicle (1973).
Freed, Hermine. "Video and Abstract Expressionism." Arts Magazine 49, no. 4 (1974).
French-Frazier, Nina. "Lonidier and Steinmetz: Investigation and Introspection." Artweek 7, no. 17 (1976).
French-Frazier, Nina. "Juan Downey: Chilean Ulysses." Artweek 7, no. 11 (1976).