Biblio

Filters: First Letter Of Last Name is F  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
F
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
Foreman, Richard. Unbalancing Acts: Foundations for a Theater., undated.
Forde, Kathleen. What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
Curti, Denis, and Giovanni Pelloso. Recinti: Tell-a-Vision. Torino, Italy: Fondazione Italiana per la Fotografia, 1999.
Foley, Tod. DayTrippers Core Rules In DayTrippers Core Rules. 1.0 ed. Las Vegas, NV: As If Productions, 2015.
Flexer, Robert J., and Gio Wiederhold. A Building Block Approach to Color Graphics (excerpted) In Computer Graphics Quarterly. Vol. 13., 1979.
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Larson, Roger, and Paula Jarowski. Catalog IV: Film/ Video Arts, Edited by Laura Hoptman. New York, NY: Film/ Video Arts, Inc., 1985.
1996 Annual Mill Valley Film Festival Souvenir Program. Mill Valley, CA: Mill Valley Film Festival, 1996.
Film and Electronic Media Program. Working Draft- Not for Reproduction.. Film and Electronic Media Program, undated.
Fifield, George. The Paik/Abe Synthesizer - from Not Still Art Festival 2000 Catalog. Cherry Valley, NY: Not Still Art, 2000.
Fifield, George. "The Digital Atelier." Art New England (1997).
Fifield, George. The Vision of Fred Barzyk: The WGBH New Television Workshop 1968 - 1978 George Fifield., undated.
Fifer, Sally Jo, and Debbie Hess Norris Paige Ramey Karen Weiner and Tamara Gould, Luke Hones. Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.
Fielding, Raymond. A Technological History of Motion Pictures and Television, Edited by Raymond Fielding. Berkeley, CA: University of California Press, 1967.
Fessler, Floyd. "Has TV Finally Become An Art?" California Living (1973).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Fernseh GMBH Vidicon Portable TV Broadcast System (2 copies). Darmstadt , Germany: Fernseh GMBH, 1965.
Fernseh GMBH Portable TV-Transmission Equipment KS9D. Darmstadt , Germany: Fernseh GMBH, 1965.
Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C. Darmstadt , Germany: Fernseh GMBH, 1962.
Ferkiss, Victor C., and Elting E. Morison. Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.
Fenton, Kirk. "Bringing TV To the People." Pipe Dream (1971).
Fenton, Charles. Guide 2 Ohio Media Equipment, Edited by Charles Fenton. Columbus, OH: Ohio Arts Council, 1981.
Felsenstein, Lee. "?Report on the Status of the Tom Swift Terminal Design?" LGG Engineering 1, no. 1 (1976).
Felsenstein, Lee. "Tom Swift Lives." People?s Computer Company (undated).
Fell, John L.. Film: An Introduction. New York, NY: Praeger Publishers, 1975.
Felix, Zdenek. Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.
Feldman, Seth. Exprmntl5 Catalog for Media Study. Buffalo, NY: Media Study/Buffalo, 1974.

Pages