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Hocking, Sherry, Richard Brewster, David Jones, Richard Brewster, Hank Rudolph, and Matthew Schlanger. Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
Boyle, Deirdre. Video Classics: A Guide to Video Art and Documentary Tapes. Phoenix, NY: Onyx Press, 1986.
Beck, Stephen. "The Phosphotron." SEND 9 (1984).
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Bloch, Ernst, and Walter Benjamin Theodor Adorno George Lukacs, Bertolt Brecht. Aesthetics and Politics. London. London: New Left Books, 1977.
Barthes, Roland. Critical Essays. Translated by Richard Howard. Evanston, IL: Northwestern University Press, 1972.
Hocking, Sherry Miller, and Richard Brewster. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing by Sherry Miller Hocking & Richard Brewster at the Experimental Television Center, 1986., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Boyle, Deirdre. "Documentary Video Classics - A Core Collection." Sightlines 16, no. 3 (1983).
Brewster, Richard. Experimental Television Center, Brewster Analog System (Analog Synthesizer). Owego, NY: Experimental Television Center, 1979.
Bennahum, David S.. Extra Life: Coming of Age in Cyberspace. Basic Books, 1999.
Benmussa, Simone, and Susan Britton. Babajaga: Rassegna Internazionale Donne Autrici di Cinema e Video. Schede Video.. Roma, Italy: Coop. Il Bagatto.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Bodolai, Joe, and Harry Isobel. "Decentralization of the Means of Visual Production." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
Batsry, Irit. Irit Batsry: To Leave and to Take, Video and Mixed-media Installation. Paris, France: La Ferme du Buisson, 2003.
Brewster, Richard. Buffer Memory. Binghamton, NY: Experimental Television Center, undated.
Battcock, Gregory. The New Art: A critical anthology, Edited by Gregory Battcock. New York, NY: E. P. Dutton & Co., Inc., 1966.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Bertram, Neal H., and A. Eshel. Recording Media Archival Attributes (Magnetic) Report RR-80-01. Redwood City, CA: Ampex, 1979.
Bark Productions, Cuddy, Terry. Method Crying: A new book by Terry Cuddy.. Ithaca, NY: Bark Productions, 1996.
Demes, Samuel, and Jennie Brogdon. "Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).
Boston, George. Archiving the Audio-Visual Heritage, Edited by George Boston. UNESCO, 1992.
Bear, Lisa. "Various Artists." Avalanche, no. eight (1973).
Buchloh, Benjamin. Dan Graham - Video-Architecture-Television: Writing on Video and Video Works, Edited by Benjamin Buchloh. The Press of the Nova Scotia College of Art and Design and New York University Press, 1979.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Barnouw, Erik. Tube of Plenty. NY: Oxford Press, 1975.
Jones, David, Richard Brewster, and Paul Davis. Jones and Brewster Documentation (Frame Buffer and D+7A Input/ Output). Owego, NY: Experimental Television Center, 1979.
Boyle, Deirdre. "Growing Up Wired." American Film (1982).
Beck, Stephen. Video Synthesis in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Bode, Peer. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.