Biblio

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bibliographic
Fifield, George. "The Digital Atelier." Art New England (1997).
Furlong, Lucinda. "Getting High Tech: The New Television." The Independent 8, no. 2 (1983).
Flexer, Jules Robert, and Dr. Christopher L. Morgan. Digital Video Systems Schematics for CAT-100/C D Board Rev. 5- 6/29/80; CAT-100/C A Board Rev. 2C- 7/3/80. Copy of CAT-100 Operator Guides.. Palo Alto, CA: Digital Graphics Systems, 1980.
Carlos, Michael, and Tom Stewart. Fairlight CMI Page R- Real Time Composer Operator Manual. Los Angeles, CA: Fairlight Instruments, Inc., 1983.
Foreman, Richard. Unbalancing Acts: Foundations for a Theater., undated.
Felsenstein, Lee. "?Report on the Status of the Tom Swift Terminal Design?" LGG Engineering 1, no. 1 (1976).
Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
French-Frazier, Nina. "Lonidier and Steinmetz: Investigation and Introspection." Artweek 7, no. 17 (1976).
A Guide to Programming the Fairchild F-8 Microcomputer, Revision A. Mountain View, CA: Fairchild Semiconductor, 1975.
Sandin, Daniel. Video Synthesis Studio Background Information- Technical Capabilities: Sandin Image Processor and Peripheral Equipment Useful in Supporting the Image Processor, Edited by Jon Burris. Film/Video Arts, Inc., 1985.
Kubota, Shigeko, Toni Stoss, and Zdenek Felix. Shigeko Kubota: Video Scuptures. Germany, undated.
Farrell, Tom. "We Can't Go Home Again." Sight & Sound 50, no. 2 (1981).
Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Fenton, Kirk. "Bringing TV To the People." Pipe Dream (1971).
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Fifer, Sally Jo, and Debbie Hess Norris Paige Ramey Karen Weiner and Tamara Gould, Luke Hones. Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Buckminster Fuller, R., Jerome Agel, and Quentin Fiore. Environment and man's future- by the visionary genius of our time: I Seem To Be a Verb. "The most important fact about Spaceship Earth: An instruction book didn't come with it.". New York, NY: Bantam Books, Inc., 1970.
Frensel Jr., Louis E.. The Howard W. Sams Crach Course in Mircocomputers. Indianapolis, IN: Howard W. Sams Co., 1983.
Stewart, Tom, and Peter Farleigh. Fairlight Computer Musical Instrument General Interface Card Manual for the General Interface (MIDI/SMPTE) Card and Support Unit Revision 1.5. Sydney, Australia: Fairlight Instruments, Inc., 1986.
Forde, Kathleen. What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.
Fell, John L.. Film: An Introduction. New York, NY: Praeger Publishers, 1975.
Fostex. Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Fernseh GMBH Vidicon Portable TV Broadcast System (2 copies). Darmstadt , Germany: Fernseh GMBH, 1965.
French-Frazier, Nina. "Juan Downey: Chilean Ulysses." Artweek 7, no. 11 (1976).
Larson, Roger, and Paula Jarowski. Catalog IV: Film/ Video Arts, Edited by Laura Hoptman. New York, NY: Film/ Video Arts, Inc., 1985.
Frampton, Hollis. Imago Documentation and Hollis Frampton Software for Z80. Owego, NY: Experimental Television Center, 1983.
Fairchild Semiconductor F8 Microprocessor. Mountain View, CA: Fairchild Semiconductor, 1975.
Fargier, Jean Paul. Shigeko Kubota: Video Sculptures. In German and English., Edited by Jean Paul Fargier. Essen: Museum Folkwang Essen/DAAD/Kunsthaus Zurich, 1981.

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