Biblio

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bibliographic
Legge, Nancy. Access Film and Video Equipment: A Directory. NY, NY: Printing Center for Cultural Resources, 1978.
LeGrice, Malcolm. Abstract Film and Beyond. Cambridge: MIT Press, 1977.
Lehman, Klaus-Dieter. "Making the Transitory Permanent: The Intellectual Heritage in a Digitized World of Knowledge." Daedalus 125, no. 4 (1996).
Sales Lit for Leitch VSS-160N; SPG-100N; ACO-101; 600 Series Distribution Amplifiers; CTG 200N; CTG-210N; CTG-220N; SPG-110P; others. Scarborough, Ontario, CAN: Leitch Video Limited, 1977.
Lenco PBB-321B Black Burst Generator Instruction Manual; PSD-340B System Delay Module; PCB-320 Color Bar Generator; PVA-350 Video Distribution Amplifier; PSG-310 Sync Generator; PFM-300B and PPS-302 Frame and Power Supply. Jackson, Missouri: Lenco Inc. Electronics Division, undated.
Leopold, Greg. Jon Burris Interviews Greg Leopold., 1978.
Lerner, Jesse. "Superocheros." Wide Angle 21, no. 3 (1999).
Lerner, Jesse. "Superocheros." Wide Angle 21, no. 3 (1999).
Leviathan. Leviathan - Effects of Televisio., undated.
Levin, Gail. Synchromism and American Color Abstraction, 1910-1925. New York, NY: The Whitney Museum of American Art, 1978.
Levine, Les. "Camera Art." Studio International 190 (1975).
Levine, Les. "Media Bio-Tech Rehearsal." Video 80 1 (1980).
Levine, Les. "Small Format TV." SEND 10 (1985).
Levine, Les. "The Information Fallout." Studio International 181 (1971).
Levine, Les. "The Programmer's Genitals." SEND 2, no. 1 (1983).
Lewis, Louise. "Future Video: Max Almy." LAICA Journal 38 (1983).
Leyda, Jay. Kino: A History of the Russian and Soviet Film. Princeton, NJ: Prlnceton University Press, 1983.
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
Licata, Elizabeth, and John Knecht. John Knecht: Animating Destiny. Castellani Art Museum of Niagara University, 1997.
Lichty, Patrick. "The Cybernetics of Performance and New Media Arts." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Lieberman, Laura C.. Once Is Not Enough. Rochester, NY: Visual Studies Workshop, 1990.
Hoone, Jeffrey, and Gary Nickard. Light Work. Contact Sheet 97, 25th Anniversary Edition.. Syracuse, NY: Light Work, 1998.
"The Video Issue." Lightworks 1, no. 5 (1976).
Linemaster: America's Foot Switch Leader Catalog 78. Woodstock, CT: Linemaster Switch Corporation, 1978.
Linhart, Henry Coshey. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Linton, J.. Learning About Synthesizers. Amherst, MA: Electronic Music Studios of America, Inc., 1975.
Lippard, Lucy. "The Pains and Pleasures of Rebirth: Women's Body Art." Art in America 64, no. Three (1976).
Lippard, Lucy. "The Pains and Pleasures of Rebirth: Women's Body Art." Art in America 64, no. Three (1976).
Lister, Ardele. "Contact Zones' Video." Photography Quarterly 16, no. 4 (1995).
Livingston, Jane, and Marcia Tucher. Bruce Nauman. Work From 1965-1972.. Los Angeles: Los Angeles County Museum of Art, 1972.

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