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D'Agostino, Peter, and Antonio Muntadas. The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
Muybridge, Eadward, and Robert Taft. The Human Figure in Motion. New York, NY: Dover Publications, Inc., 1955.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
Marque. Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 3. Marque Model M16TV (Ch. 202A).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Morello, Steve. "Center Lets People Use TV For Themselves." Press (1971).
Mellencamp, Patricia. "Postmodern TV: Wegman and Smith." Afterimage 13, no. 5 (1985).
McIntosh Owner's Manual for Model MPI 4 Maximum Performance Indicator.. Binghamton, NY: McIntosh Laboratory, Inc., 1973.
Mayer, Alfred. The Performer Synthesizer Newspaper Reprints from various sources. Morristown, NJ: Ionic Industries, Inc., 1970.
Strange, Allen, and Gordon Mumma. Electronic Music: systems, techniques, and controls, Second Edition.. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1972.
Miller, Aaron, and Monica Duncan. Land-Tracking-Land. Rochester, NY: Rochester Contemporary, 2006.
McHale, John. "Buckminster Fuller's Geodesic Dome." (1956): 1-5.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
CCTV Motorola Closed Circuit Television Transistorized Cameras and Control Kits for Model S1120C Indoor Camera, S1121C Explosion-Proof Camera, S1122C All-Weather Camera (2 copies). Chicago, Illinois: Motorola, 1965.
Meyers-Kingsley, Dara, and Chris Chang. Reel Work: Artists' Film and Video of the 1970s. Miami, FL: Museum of Contemporary Art, 1996.
McLuhan, Marshall. Understanding Media: The Extensions of Man. NY: McGraw-Hill, 1964.
MacDonald, Scott. Cinema 16: Documents Toward a History of the Film Society, Edited by Scott MacDonald. Temple University Press, 2002.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
MonteVideo Art Foundation. Amsterdam, Holland, 1986.
McCarthy, Kerry. New York State Artist Workspace Consortium, Edited by Kerry(Project Director) McCarthy. NY, NY: New York State Artist Workspace Consortium, 1004.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.
ArtVideo Confrontation '74. Paris: Musee d'Art Moderne de la Ville de Paris,, 1974.
Microbotics, Inc. Starboard2 MultiFunction Module User Guide: vers. 1.0.. Richardson, TX: Microbotics, Inc., 1987.
Manovich, Lev, and Andreas Kratky. Soft Cinema: Navigating the Database. Cambridge, MA: MIT Press, 2005.
Moore, Rebecca, and Gayle Gibbons Larry Kirkman. "various articles." Televisions The Quest for Distribution issue VI, no. 3 (1978).
VideoFest '89. Berlin, Germany: MedienOperative, 1989.
McHale, John. "Universal Requirements Check List." Architectural Design (1960).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
Sandin, Dan, and Phil Morton. Sandin Image Processor 1971-1973., undated.
Miller, Gregory. "The Best of the West?" Videography 10, no. 5 (1985).
Minkowsky, John. "Bill Viola's Video Vision." Video 81 2, no. 1 (1981).