Biblio

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Book
Hearn, William. EAB VideoLab Module E Summary. Berkeley, California: Electronic Associates of Berkeley, 1979.
Hearn, William. EAB VideoLab Module E Effects Manual (Volume One). Berkeley, California: Electronic Associates of Berkeley, undated.
Hearn, William. EAB Videolab Interconnections or Patch Diagrams 1 through 12. Berkeley, California: Electronic Associates of Berkeley, 1977.
Hearn, William. EAB VideoLab Instruction Manual (Modules A-D). Berkeley, California: Electronic Associates of Berkeley, undated.
Hearn, William. EAB VideoLab Instruction Manual (E-Module). Berkeley, California: Electronic Associates of Berkeley, undated.
Hardison, Jr. O. B.. Disappearing Through the Skylight: Culture and Technology in the Twentieth Century. NY: Viking, 1989.
Held, John Jr.. Diary of Correspondence: 1979. Mid-York Library System, 1980.
Horkheimer, Max, and Theodor W. Adorno. Dialectic of Enlightenment. Translated by John Cumming. NY: Seabury Press, 1977.
Adorno, Theodor, and Max Horkheimer. Dialecic of Enlightenment. NY: Seabury Press, 1972.
Hocking, Sherry Miller. Definitions., 1977.
Haywood, Philip. Culture, Technology and Creativity in the Late Twentieth Century, Edited by Philip Haywood. London, 1990.
Haywood, Philip. Culture, Technology and Creativity in the Late Twentieth Century, Edited by Philip Haywood. London, 1990.
Hirsch, Robert. Contact Sheet: CEPA Gallery at Thirty, Edited by Robert Hirsch and Gail Nicholson. Syracuse , NY: Light Works, 2005.
Hirsch, Robert. Contact Sheet: CEPA Gallery at Thirty, Edited by Robert Hirsch and Gail Nicholson. Syracuse , NY: Light Works, 2005.
Hocking, Sherry, Richard Brewster, Walter Wright, Jason Bernagozzi, and Dave Jones. Construction of a Raster Manipulation Unit - Revision by Jason Bernagozzi at Signal Culture, 2016. Owego, New York: Experimental Teleision Center and Signal Culture, 2016.
Howley, Kevin. Community Media: People, Places, and Communication Technologies. Cambridge University Press, 2005.
Heath, Stephen, and Patricia Mellencamp. Cinema and Language. American Film Institute Monograph Series, vol. 1., Edited by Stephen Heath. Frederic, MD: University Publications of America, 1983.
Heath, Stephen, and Patricia Mellencamp. Cinema and Language. American Film Institute Monograph Series, vol. 1., Edited by Stephen Heath. Frederic, MD: University Publications of America, 1983.
Catalog of Plating Equipment with Advanced Engineering for Electronics, Space, Missile, and the General Plating Industries. Los Angeles, CA: HBS Equipment Division, undated.
Hudlin, Warrington, and George P. Cunningham. Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Hallock, Don. Black and white images from the Videola and its creator Don Hallock. Photography by Penny d'Hammer.., 1973.
Hocking, Sherry Miller. Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.
Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.
and Howell, Bell. Bell and Howell- How to Use Your Filmosound 8 Super Eight Movie Camera Model 442. Chicago, Illinois: Bell and Howell, undated.
Hill, Chris. Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.. Chicago: Video Data Bank, 1995.
Barrett, Cyril. An introduction to Optical Art, Edited by David Herbert. England: Studio Vista Limited/ Dutton, 1971.
Haller, Robert, and Virgil Grillo. An Alliance for the Media Arts in America: A Report on the formation of the National Alliance of Media Arts Centers and its Founding Conference in Boulder, Colorado, May 29-31, 1980. Boulder, CO: Rocky Mountain Film Center, 1980.
Howard, Brice. About Television Reality and Performance. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Templeton, Lawrence W., Don Hallock, and Richard Stephens. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Henderson, Brian. A Critique of Film Theory. NY: E. P. Dutton, 1980.

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