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Cage, John. Towards (a definition of) Experimental Music.., undated.
Loeffler, Carl. "Toward a Television Art Criticism." ArtCom 6 (2), no. 22 (1983).
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
McHale, John. "Total Design: An Essay on Buckminster Fuller." (1958): 1-5.
Ancona, Victor. "Toshio Matsumoto: Spanning Film and Video." Videography 3, no. 11 (1978).
Hesse, Gary. "Tools, Technology and Access." Contact Sheet 97: 25th Anniversary Edition, no. 1998 (undated).
Tools by George Brown., undated.
Tools by Bill Hearn., undated.
Felsenstein, Lee. "Tom Swift Lives." People?s Computer Company (undated).
Ferro, Renate, and Timothy Murray. "Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
London, Barbara. "Time as Medium: Five Artists' Video Installations." Leonardo 28, no. 1 (1995).
Sondheim, Alan. "Throat." Art Papers (1994).
Gangitano, Lia. Thread Waxing Space. LP: Luther Price: Imitation of Life.. New York, NY: Thread Waxing Space, 1999.
Subrin, Elisabeth, and Laurie Weeks. Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty., Edited by Lia Gangitano. New York, NY: Thread Waxing Space, 1998.
DeWitt, Tom. Thoughts on 3-D., 1995.
Sorensen, Vibeke. Thoughts of a Computer Artist., 1995.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Lyotard, Jean-Fransois. "Theory as Art. A Pragmatic Point of View." Image and Code; Wendy Steiner, Ed., no. 2 (1981).
Themes in Electronic Image Processing. NY, NY: The Kitchen, 1981.
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Gitlin, Todd. The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
Ancona, Victor. "The Whitney Museum Biennial." Videography 8, no. 5 (1983).
Sturken, Marita. "The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
Spinrad, Paul. The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.